American cinema. 4, The western /
The western is an American myth that has been translated by other cultures and reinterpreted time and again, but never dies. With clips and critical commentary on westerns from John Ford's Stagecoach through the work of Arthur Penn, Sam Peckinpah, and Clint Eastwood, the program traces the aest...
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Full text (MCPHS users only) |
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| Other Authors: | , , |
| Format: | Electronic Video |
| Language: | English |
| Published: |
District of Columbia :
Annenberg Learner,
1995
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| Series: | Academic Video Online
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a American cinema. |n 4, |p The western / |c writer & director, Sasha Alpert ; producers, Sasha Alpert, Lesley Karsten ; a New York Center for Visual History production in co-production with KCET and the BBC. |
| 246 | 3 | 0 | |a Western |
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| 500 | |a Title from resource description page (viewed August 14, 2018). | ||
| 511 | 0 | |a Narrator, Eli Wallach ; host, John Lithgow. | |
| 520 | |a The western is an American myth that has been translated by other cultures and reinterpreted time and again, but never dies. With clips and critical commentary on westerns from John Ford's Stagecoach through the work of Arthur Penn, Sam Peckinpah, and Clint Eastwood, the program traces the aesthetic evolution of the genre as well as its sociological importance. About the Series: A video instructional series on film history for college and high school classrooms and adult learners; 10 one-hour and 3 half-hour video programs and coordinated books. Using clips from more than 300 of the greatest movies ever made, this series explores film history and American culture through the eyes of over 150 Hollywood insiders, including Clint Eastwood, Steven Spielberg, and Michael Eisner. In-depth treatments present film as a powerful economic force, potent twentieth-century art form, and viable career option. American Cinema connects subjects such as history, business, and English with other studies. In addition, it is a perfect vehicle for developing visual and media literacy skills and can be used as a springboard for creative-writing endeavors and media production. Produced by the New York Center for Visual History in association with KCET/Los Angeles and the BBC. 1995. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Western films |z United States. | |
| 650 | 0 | |a Western films |x History and criticism. | |
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| 655 | 7 | |a Documentary television programs. |2 lcgft | |
| 700 | 1 | |a Alpert, Sasha, |e director, |e producer. | |
| 700 | 1 | |a Karsten, Lesley, |e producer. | |
| 700 | 1 | |a Wallach, Eli, |d 1915-2014, |e narrator. |1 https://id.oclc.org/worldcat/entity/E39PBJxMgtQDDqVKHtFQbYwKVC | |
| 700 | 1 | |a Lithgow, John, |d 1945- |e host. |1 https://id.oclc.org/worldcat/entity/E39PBJxxbMqq3wvt7ktGpjJbh3 | |
| 710 | 2 | |a New York Center for Visual History, |e production company. | |
| 710 | 2 | |a KCET (Television station : Los Angeles, Calif.), |e production company. | |
| 710 | 2 | |a British Broadcasting Corporation, |e production company. | |
| 758 | |i has work: |a American Cinema [Vol. 3] (MovingImage) |1 https://id.oclc.org/worldcat/entity/E39PCFVpKvGyM36gTbXcGjFTd3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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