Gayelle. 1988, series one, Programme #35 /
Opening Sequence with Theme KADAMBARI by Ron Reid Errol Fabien introduces the show Errol Fabien interviews Vox Pop about hair styles Cultural Sprangalang answers the question: What was the function of the turnstile around the Queen's Park Savannah, Port of Spain? Errol Fabien in barbershop intr...
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| Online Access: |
Full text (MCPHS users only) |
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| Other Authors: | , , , |
| Format: | Electronic Video |
| Language: | English |
| Published: |
Trinidad and Tobago :
Banyan Archive,
1988
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Gayelle. |n 1988, series one, Programme #35 / |c Banyan presents ; directed by Walt Lovelace, Karen Martinez ; produced by Bruce Paddington, Christopher Laird. |
| 246 | 3 | 3 | |a Gayelle. |n Series one, 1988, Programme no. 35 |
| 246 | 3 | 3 | |a Gayelle programme. |n 1988, series one, Programme no. 35 |
| 264 | 1 | |a Trinidad and Tobago : |b Banyan Archive, |c 1988. | |
| 300 | |a 1 online resource (25 minutes) | ||
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| 520 | |a Opening Sequence with Theme KADAMBARI by Ron Reid Errol Fabien introduces the show Errol Fabien interviews Vox Pop about hair styles Cultural Sprangalang answers the question: What was the function of the turnstile around the Queen's Park Savannah, Port of Spain? Errol Fabien in barbershop introduces next feature Errol Fabien interviews Madam R. Maharaj about hair styles Errol Fabien talks to Zakiya Wadada about hair styles in the afro-trinidadian community Styling and straightening hair in a women's hair salon. Barbershop, patron instructing barber, Errol Fabien talks to the barber, Hilary Constant about his craft and trends and to Electric Blade Sharpener, Lemuel Chase Errol interviews patrons at various salons and Ann Richardson, owner of Ann's Barber Salon What's On! Errol Fabien, with new hairstyle, closes show Drummer Richard Bailey describes how he learnt to drum and the influences that informed him at the beginning. The beginning of rudiments. (There are a number of takes of each angle) Double stroke roll, African and Indian drumming, traditional rhythms like the Bolero and how it can be contemporised. A variation of the calypso rhythms.(There are a number of takes of each angle) Continues shooting different angles while demonstrating the Bolero and its variations in contemporary use. Demonstrates the soca rhythms with other players on cowbells and congas. Some rhythms from Indian drumming, Tassa Drum hands. Shango rhythm. Practicing Rudiments. Tune played by Richard Bailey on trap set Playing with congas and steel drum shot from different angles repeated. MARACAS FALLS, Richard Bailey on trap set Playing with congas and steel drum shot from different angles repeated. MARACAS FALLS, continued. Richard Bailey on trap set Playing with congas and steel drum shot from different angles repeated. Group playing different tracks for the Maracas falls tune.: Douglas Reddon on Bass, Robert Bailey on keyboard Errol Fabien interviews Richard Bailey on his connection to Trinidad, to Phase II pan Groove,They talk about his career and the groups and singers he has played with. Talks about learning new things every time he comes home and the way Trinidad rhythms mirror rhythms from all over the world. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Hairstyles |z Trinidad and Tobago. | |
| 650 | 0 | |a Barbering |z Trinidad and Tobago. | |
| 650 | 0 | |a Hairdressing |z Trinidad and Tobago. | |
| 650 | 0 | |a Popular music |z Trinidad and Tobago. | |
| 651 | 0 | |a Trinidad and Tobago |x Civilization. | |
| 651 | 0 | |a Trinidad and Tobago |x Social life and customs. | |
| 655 | 7 | |a Television news programs. |2 lcgft | |
| 700 | 1 | |a Martinez, Karen, |e director. | |
| 700 | 1 | |a Lovelace, Walt, |e director. | |
| 700 | 1 | |a Laird, Christopher, |e producer. | |
| 700 | 1 | |a Paddington, Bruce, |e producer. | |
| 710 | 2 | |a Banyan Ltd., |e production company, |e presenter. | |
| 710 | 2 | |a Banyan Archives, |e distributor. | |
| 852 | |b E-Media |h Alexander Street Press | ||
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