Cinematic flashes : cinephilia and classical Hollywood /
This book challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, the author extracts intriguing film fragments...
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Format: | Electronic eBook |
Language: | English |
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Bloomington :
Indiana University Press,
2013
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Local Note: | ProQuest Ebook Central |
MARC
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245 | 1 | 0 | |a Cinematic flashes : |b cinephilia and classical Hollywood / |c Rashna Wadia Richards. |
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction : inventing cinephiliac historiography -- Sonic booms : 1929 and the sensational transition to sound -- Show stoppers : 1937 and the chance encounter with chiffons -- Signature crimes : 1946 and the strange case of the lost scene (as well as the stranger case of the missing auteur) -- Apocalyptic antennae : 1954 and the end of storytelling -- Conclusion : the cinephiliac return. | |
520 | |a This book challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, the author extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences. | ||
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