Disaster cinema in historical perspective : mediations of the sublime /
'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly writt...
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Main Author: | |
Format: | Electronic eBook |
Language: | English |
Published: |
Amsterdam :
Amsterdam University Press,
2020
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Series: | Film culture in transition.
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Subjects: | |
Local Note: | ProQuest Ebook Central |
MARC
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100 | 1 | |a Mathias, Nikita, |e author. | |
245 | 1 | 0 | |a Disaster cinema in historical perspective : |b mediations of the sublime / |c Nikita Mathias. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2020. | |
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 1 | |a Film culture in transition | |
504 | |a Includes bibliographical references (pages 329-352) and index. | ||
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t 1. Introduction -- |t 2. Starting Points -- |t 3. The Iconography of the Sublime -- |t 4. Mediating the Sublime -- |t 5. Cinema -- A Medium of the Sublime? -- |t 6. Disaster Cinema. A Historical Overview -- |t 7. The Sublime in Disaster Cinema -- |t Bibliography -- |t Index |
520 | |a 'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument.' (Ina Blom, University of Chicago, University of Oslo). | ||
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650 | 0 | |a Disaster films |x History and criticism. | |
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