Shifting Subjects : Plural Subjectivity in Contemporary Francophone Women's Autobiography.
There are many different ways to say 'I.' This book examines the ways in which four contemporary women writers (HZl_ne Cixous, Assia Djebar, Gis_le Halimi and Julia Kristeva) have written their autobiographical 'I' as a plural concept. These women refuse the individual 'I�...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lanham :
University of Delaware,
2011
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Edwards, Natalie. | |
| 245 | 1 | 0 | |a Shifting Subjects : |b Plural Subjectivity in Contemporary Francophone Women's Autobiography. |
| 260 | |a Lanham : |b University of Delaware, |c 2011. | ||
| 300 | |a 1 online resource (173 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a SHIFTING SUBJECTS; Contents; Acknowledgments; Introduction: From the Individual ""I"" to the Non-Unitary Self; 1. Gisèle Halimi's Self-(Re)Writing Project; 2. Fictional Doubles in Julia Kristeva's Les samouraïs; 3. Archive and Autobiography in Assia Djebar's Vaste est la prison; 4. The Displaced Autobiographical Subject in Hélène Cixous's Les reveries de la femme sauvage; 5. Conclusion: New Textual Identities; Notes; Works Cited; Index. | |
| 520 | |a There are many different ways to say 'I.' This book examines the ways in which four contemporary women writers (HZl_ne Cixous, Assia Djebar, Gis_le Halimi and Julia Kristeva) have written their autobiographical 'I' as a plural concept. These women refuse the individual 'I' of traditional autobiography by developing narrative strategies that multiply the voices in their texts. Each chapter examines a text, or a series of texts, that offers a different approach to writing a plural 'I.' Taken together, the texts depart from current theorizations of the female autobiographical 'I, ' by calling for. | ||
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| 650 | 0 | |a French literature |x Women authors |x History and criticism. | |
| 650 | 0 | |a Self in literature. | |
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