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|a Animal Life and the Moving Image /
|c Michael Lawrence, Laura McMahon.
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|c 2015.
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|a Cover; Contents; Acknowledgments; Notes on Contributors; Medium Foreword; Introduction: Animal Lives and Moving Images; PART 1: ANIMAL LIFE AND CINEMATIC SPECIFICITY; 1 Animal Photogénie: The Wild Side of French Film Theory's First Wave; 2 Cats and the Moving Image: Feline Cinematicity from Lumière to Maru; 3 Buñuel's Bull Meets YouTube's Lion: Surrealist and Digital Posthumanisms; 4 Muybridgean Motion/Materialist Film: Malcolm Le Grice's Berlin Horse; PART 2: CROSS-SPECIES IDENTIFICATIONS.
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|a 5 'You Can See What Species I Belong to, but Don't Treat Me Lightly': Rhetorics of Representation in Animated Animal Narratives6 A Cut or a Dissolve?: Insects and Identification in Microcosmos; 7 Subjunctive Desires: Becoming Animal in Green Porno and Seduce Me; 8 Animal Melancholia: On the Scent of Dean Spanley; PART 3: ANIMAL ECONOMIES; 9 King Kong Capitalism; 10 Animal Life and Moral Agency in Post-war Cinema: Velma Johnston, Marilyn Monroe, Arthur Miller and John Huston's The Misfits; 11 Being Struck: On the Force of Slaughter and Cinematic Affect.
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|a 12 Screening Pigs: Visibility, Materiality and the Production of SpeciesPART 4: TOWARDS A NONANTHROPOCENTRIC CINEMA; 13 Animal Life in the Cinematic Umwelt; 14 Bear Images: Human Performativity and Animal Touch in Grizzly Man; 15 The Tumult of Integrations Out of the Sky: The Movement of Birds and Film's Ornithology; 16 Unknowing Animals: Wild Bird Films and the Limits of Knowledge; 17 Hitchcock -- The Animal, Life and Death; Index.
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|a Animals in motion pictures.
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| 650 |
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|a Animals in mass media.
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| 650 |
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|a Animal films
|x History and criticism.
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| 650 |
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|a Wildlife films
|x History and criticism.
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| 700 |
1 |
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|a Lawrence, Michael,
|d 1973-
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|1 https://id.oclc.org/worldcat/entity/E39PCjwgfgWWggXP3kFKjt4qjP
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