Semiotic Theory and Practice. volume 1 : Proceedings of the Third International Congress of the IASS Palermo 1984

Semiotic Theory and Practice. Proceedings of the Third International Congress of the IASS Palermo 1984 / volume 1 :

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Corporate Author: International Association for Semiotic Studies. Congress
Other Authors: Herzfeld, M. (Michael) (Editor), Melazzo, Lucio (Editor)
Format: Electronic eBook
Language:English
French
Italian
Published: Berlin : De Gruyter, Inc., 2016
Subjects:
Semiotics > Congresses.
Discourse analysis > Congresses.
Local Note:ProQuest Ebook Central
Table of Contents:
  • Intro
  • 1. EDITORIAL NOTE
  • CONTENTS
  • VOLUME I
  • 2. L'OPACITA' REFERENZIALE
  • 3. THEORIE STATISTIQUE DU TEXTE: TAXINOMIE DES PARCOURS TEXTUELS ARCHITECTONICO-URBANISTES
  • 4. L'INSCRIPTION SOMATOLOGIQUE DES PRATIQUES SIGNIFIANTES: LES METAPHORES DE LA MALADIE
  • 5. DE PEIRCE A LACAN : LE STADE DU MIROIR ET L'ACCES AU LANGAGE
  • 6. LYRICAL POETRY AND THE LYRICS OF POP AUTUMN SONGS AS AN EXAMPLE OF THE RELATIONSHIP BETWEEN THE "POPULAR SONG POLYSYSTEM" AND THE LITERARY POLYSYSTEM
  • 7. THEORY OF SIGNS
  • PRACTICE OF SIGNS. CONTOURS OF A CONCEPTION
  • 8. SEMIOTIQUE LITTERAIRE : UNE UTILISATION DE PEIRCE
  • 9. THE PROBLEM OP IPS VS. LOGICAL IMPLICATION REVISITED
  • 10. SOCIOLOGIE ET SEMIOTIQUE 2 (1) IDENTITE SOCIALE ET MEDIATION SYMBOLIQUE : DE LA PUBLICITE AUX MOUVEMENTS SOCIAUX
  • 11. IL LETTORE MODELLO E IL LETTORE REALE. SEMIOTICA E INTERPRETAZIONE DEL TESTO LETTERARIO. A PROPOSITO DI U. ECO
  • 12. ON LAWS OF INVERSE PROPORTION
  • 13. LA PERCEPTION CHEZ PEIRCE
  • 14. THEORETICAL SEMIOTICS: THE CONCEPT OF ISOTOPY IN THE CONTEXT OF A SEMIOTIC THEORY OF SPATIAL DELIMITATION
  • 15. PER UNO STATUTO DELLA DIGRESSIONE
  • 16. MICRO-CONVERSATIONS EN SEMIOTIQUE APPLIQUEE: DU "SQUELCH
  • 17. SEMIOTICS OF CONSTITUTIVE RULES
  • 18. IL PUNTO DI VISTA NELL'ANNUNCIAZIONE DI LEONARDO DA VINCI
  • 19. LE TRAVAIL SEMIOTIQUE
  • 20. TOWARDS PSYCHO-PRAGMATICS
  • 21. QUALCHE OSSERVAZIONE SULLE STRUTTURE DISCORSIVE NELLE SEMIOTICHE VISUALI
  • 22. DENOTATION AND CONNOTATION OF FUGUE IN MUSIC AND VISUAL ARTS IN THE TWENTIETH CENTURY
  • 23. WHODUNIT? THE CASE OF DENOTATION AND/OR SIGNIFICATION
  • 24 ABSENCE OF EVENT AS CAUSAL EXPLANATION:LINGUISTIC FOR MULATIONS
  • 25. LE TEXTE EN SILENCE
  • 26. NARRATIVE HYPOTHESES
  • 27. IL RUMORE DEL TEMPO
  • 28. UN TYPE REMARQUABLE DE SEMIOSIS : LES SYSTEMES SEMI-SYMBOLIQUES.
  • 29. OPACIFICATION AND SEMIOSIS: ULYSSES AS DOUBLE STRUCTURE
  • 30. HERDER, MUKAŘOVSKÝ, AND THE HISTORY OF SEMIOTICS
  • 31. GUSTAV G. ŠPET: PHENOMENOLOGICAL SEMIOTICS AND HERMENEUTICS
  • 32. SEMIOTIQUE ET HISPANISME
  • 33. ANALYSIS OF THE RELIGIOUS PROCESS THROUGH DISCOURSE ANALYSIS
  • 34. SOME REMARKS ON "AESOPIAN COMMUNICATION" IN FILM
  • 35. ANTONIO GALA'S AVIARY: A SEMIOTIC PERSPECTIVE ON BIRD SIGNS IN EL CEMENTERIO DE LOS PAJAROS
  • 36. ON THE PROBLEM OP ANALYTIC SENTENCES PROM THE VIEWPOINT OP NATURAL LANGUAGE SEMANTICS
  • 37. SEMIOTIC CHARACTERISTICS OF ARCHITECTURAL DESIGN BASED ON THE MODEL BY CHARLES SANDERS PEIRCE
  • 38. CONTENUTO SEMANTICO DEGLI AUSILIARI NEI TEMPI COMPOSTI DEI VERBI ITALIANI
  • 39. COME SI LEGGONO GLI ARTICOLI DI ARCHITETTURA NEI GIORNALI
  • 40. LE TEXTE SEMIOTIQUE. L'OEIL, LA VOIX, LA SCENE
  • 41. THE POETICITY OF THE COMMONPLACE
  • 42. RHYME AS METAPHOR IN THE WASTE LAND
  • 43. TOWARDS A SEMIOTIC THEORY OF LITERARY THEMES
  • 44. CODES ET TRANGRESSIONS DES CODES AU CIRQUE
  • 45. POUR UNE SOCIO-SEMIOTIQUE DE LA PRESSE A PROPOSE DE "EL PAIS
  • 46. CONTEXTE ET ABSENCE DE CONTEXTE DANS LES QUOTIDIENS
  • 47. SEMIOLOGIA E QUELLENFORSCHUNG : ORIGINE, SVILUPPO, APPLICAZIONI DEL CONCETTO DI INTERTESTUALITA
  • 48. ENTRE TOPOLOGIE ET ASPECTUALISATION: RECHERCHES SUR LA GESTUALITE SONORE
  • 49. ON SEMIOTIC FUNCTIONS OF CONDITIONALS
  • 50. FONDEMENTS POUR UNE SEMIOTIQUE SCIENTIFIQUE DE LA CONFORMATION DELIMITANTE DES OBJETS DU MONDE NATUREL
  • 51. THE DISTINCTION BETWEEN ICON, INDEX, AND SYMBOL IN THE STUDY OF LITERATURE
  • 52. LA NOTION DE RAPPORT AU LANGAGE, ELEMENTS POUR UNE APPROCHE SEMIOTIQUE
  • 53. SEMIOTICS AND THE STUDY OF DRAMATIC DIALOGUE
  • 54. ON REFERENCE IN PRAGMASEMIOTICS
  • 55. STRUCTURE DU SIGNE ICONIQUE
  • 56. A NECESSARY CONDITION FOR MUTUAL UNDERSTANDING
  • 57. SUR LE RÉFÈRENT DU SIGNE AU THEÂTRE.
  • 58. SEMIOTICS AND THE ONTOGENESIS OF INTELLIGENCE
  • 59. SÉMIOLOGIE, SÉMIOTIQUE, SÉMIOTHÉORIES: CONFLIT DES INTERPRÉTATIONS OU APORIES DES OBJETS DE CONNAISSANCE
  • VOLUME II
  • 60. SEMIOTIC STRUCTURES OF PROVOCATION
  • 61. THE RESIDENTIAL LANDSCAPE AS A SYSTEM OF COMMUNICATION: A SEMIOTIC APPROACH
  • 62. MARXISM, SEMIOTICS, AND URBAN SPACE: THE SOCIAL SEMIOTIC TYPOLOGY OF URBAN TEXTS
  • 63. THE IDEAL SIGN
  • 64. URBAN CODES AND LITERATURE
  • 65. AN EXPERIENCE IN NON VERBAL LANGUAGE AND ARCHITECTURE
  • 66. ANALYSE NARRATOLOGIQUE ET THEMATIQUE DE L'AUBERGE DE GUY DE MAUPASSANT
  • 67. CONVENTIONS DE REFUTATION
  • 68. SOME ASPECTS OF SEMIOTICS OF RE-USED ARCHITECTURE. THE CASE OF LA TOURETTE MONASTERY
  • 69. THEORETICAL SEMIOTICS AND THEORETICAL LINGUISTICS
  • 70. CONTRIBUTIONS OF SEMIOTICS TO ANTHROPOLOGICAL RESEARCH
  • 71. ASPETTI SEMIOTICI DELL'EMOZIONE TEATRALE (CONTRO ALCUNE MITOLOGIE POSTMODERNE)
  • 72. PROPOSITIONS POOR ONE REDEFINITION SEMIOTIQUE DE LA NOTION DE 'PERSONNAGE'
  • 73. IL NEUTRO E LA NEUTRALIZZAZIONE IN HUSSERL
  • 74. CHAMPS D'INTERPRETANT : UN MODELE FORMALISE DELA SEMIOSIS
  • 75. ISOTOPIA E PRAGMATICA DEL TESTO TRA A. J . GREIMAS E U.ECO
  • 76. LA DEMANDE CLINIQUE ET SON INTERPRETATION
  • 77. THE DEVELOPMENT OF A DIALOGIC SUBCOMPETENCE: A PSYCHOSEMIOTIC APPROACH
  • 78. SCIENCE ET SÉMIOTIQUE DANS LE ROMAN-SAVOIR, NON-SAVOIR ET TRANSFORMATION DANS L'ANTIPHONAIRE DE HUBERT AQUIN
  • 79. ECRITURE ET LECTURE FILMIQUES, PROLEGOMENES A UNE THEORIE DE L'INTERMEDIALITE A L'EXEMPLE DES 'LIAISONS DANGEREUSES' DE CHODERLOS DE LACLOS
  • 80. L'HISTOIRE COMME DISCOURS SECRET
  • 81. SIGN AND VALUE: THE AUTHORITY OF AUTHORITY
  • 82. SIGN AND SIGN USE. IS PRAGMATICS IN NEED OF A PHILOSOPHICAL THEORY WHICH EXPLAINS OUR ABILITY TO ACT?
  • 83. SCHEME
  • TEXT
  • DISCOURSE: TENSIONS WITHIN, PROJECTIONS BETWEEN
  • 84. POUR UNE SEMIOLOGIE DU HEROS COMIQUE.
  • 85. THE APOPHANTIC FUNCTION OF NARRATIVE DEIXIS
  • 86. POUR UNE SYNTAXE-SÉMANTIQUE DES SYSTÈMES DE SIGNIFICATION
  • 87. POUR UNE SEMIOTIQUE DE LA SUBJECTIVITE
  • 88. A PLEA FOR SEMIOTICS
  • 89. SEMIOTIQUE, ARHITECTURE ET SCIENCES HUMAINES
  • NOTES EPISTEMOLOGIQUES
  • 90. L'IRONIE:LA MASQUE DE L'AUTRE
  • 91. THE SUN AND THE CITY: SYMBOLOGICAL ASPECTS OF CITY PLANNING IN CAMPANELLA'S UTOPIA
  • 92. SEMANTIC ENGINEERING
  • 93. BALANCE OF COMPLEXITY AND HIERARCHY OF PRECISION: TWO PRINCIPLES OF ECONOMY IN THE NOTATION OF LANGUAGE AND MUSIC
  • 94. THEORIES DE L'EXPRESSION IMPUDIQUE AU GRAND SIECLE
  • 95. LA BIOLOGIA COME SEMIOTICA NATURALE
  • 96. ARISTOTLE'S ABDUCTION
  • 97. LA RELAZIONE DELLE COMPONENTI VOCALI E NON-VOCALI NELLO SVILUPPO DELLA COMUNICAZIONE UMANA
  • 98. MICROSEMANTIQUE ET SEMIOTIQUE
  • 99. NOTE PER UNA TEORIA DEL TESTO PITTORICO
  • 100. INTERACTION AND DECODING OF VERBAL AND NONVERBAL SIGNS: ORCHESTRA CONDUCTING
  • 101. POUR UNE SÉMIOTIQUE DE L'IDÉOLOGIE
  • 102. LES CONDITIONS DE L'APPROCHE D'UN TEXTE LITTERAIRE DANS LE CONTEXTE PEDAGOGIQUE: LECTURE ET INTERPRETATION COMME PROCESSUS COGNITIFS
  • 103. WHAT DOES SEMIOTICS COME FROM ?
  • 104. L'IMAGINAIRE SOCIAL DU CORPS: POUR UNE SEMIOTIQUE DES MODES D'INCARNATION DE LA LOI
  • 105. THE ROLE OF SEMIOTICS IN THE CHANGE OF AESTHETICS PARADIGM IN THE 20th CENTURY
  • 106. A FRAGMENT IN THE HISTORY OF ITALIAN SEMÏOTICS
  • 107. A MODEL FOR THE ANALYSIS OF CHARACTER IN ANCIENT GREEK LYRIC: THE POET FIGURE IN PINDARIC ODES
  • 108. ROLAND BARTHES ET LA FORCLUSION DU SENS
  • 109. COMMUNICATION, LANGUAGE AND SPEECH: EVOLUTIONARY CONSIDERATIONS
  • 110. PSYCHOLOGIE, PSYCHOLINGUISTIQUE ET SÉMIOTIQUE: LA MÉTHODE CONTEXTUELLE-DYNAMIQUE EN TANT QU'ANALYSE SEMIOTIQUE DU TEXTE LITTERAIRE
  • 111. VERBALE vs NON-VERBALE, EMISFERO SINISTRO vs EMISFERO DESTRO,.
  • 112. SEMIOTICS AND DREAMS: PEIRCE'S SIGN POSTS TO THE UNCONSCIOUS
  • 113. APPROCHES SEMIOTIQUES AU PROCESSUS DU DESIGN
  • 114. COMMUNICATION IN THE THEATRE
  • 115. SURNAMES AND THEIR SUBSTITUTES
  • 116. LA METAFORA IN BORGES
  • 117. THE IMAGE THEME AS AN ISOTOPIE LEVEL: THE SHADOW IMAGE THEME IN T.S. ELIOT'S THE WASTE LAND AND THE HOLLOW MEN
  • 118. LA SEMIOTIQUE DU BONHEUR: LES EFFETS SÉMANTIQUES DE STYLE DANS LES POÈMES DE JOSIANE GEORGE
  • 119. BIOLOGICAL SYSTEMS, SIGN PROCESSES AND THE OBSERVER
  • 120. A TEXTUAL APPROACH TO PRESUPPOSITION
  • 121. UNE HYPOTHESE INFORMATIONNELLE SUR LE POINT DE VUE AU CINEMA
  • 122. A STRUCTURAL ANALYSIS OF MACBETH
  • 123. SIGNS, SINGULARITIES AND SIGNIFICANCE: A PHYSICAL MODEL FOR SEMIOTICS
  • 124. VISUAL ADUCATION
  • 125. PAPER INTRODUCING THE PANEL ON ABDUCTION: FOUR QUESTIONS ON ABDUCTION
  • 126. TABLE RONDE
  • DEVELOPPEMENTS DE LA SEMIOTIQUE INSPIREE DE PEIRCE SEMINAIRE DE SEMIOTIQUE
  • UNIVERSITE' DE PERPIGNAN FRANCE
  • CITATION INDEX OF PERSONAL NAMES.

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