Hemingway, race, and art : bloodlines and the color line

Hemingway, race, and art : bloodlines and the color line /

William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner's racial concerns but extended them beyond the South to encompass the entir...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Dudley, Marc K., 1971-
Format: Electronic eBook
Language:English
Published: Kent, Ohio : Kent State University Press, 2011
Subjects:
Hemingway, Ernest, > 1899-1961 > Criticism and interpretation.
Race in literature.
Local Note:ProQuest Ebook Central
Table of Contents:
  • Cover
  • Title
  • Copyright
  • Contents
  • Introduction: The Specter of Race in Hemingwayâ€?s Grave New World
  • One
  • “Indian Campâ€? and “The Doctor and the Doctorâ€?s Wifeâ€?: Deconstructing the Great (White) Man
  • Two
  • Beyond the Camp, Behind the Myth: Native American Dissolution and Reconstituted Whiteness in “Ten Indians, â€? “Fathers and Sons, â€? and “The Indians Went Awayâ€?
  • Three
  • The Truthâ€?s in the Shadows: Race in “The Light of the Worldâ€? and “The Battlerâ€?
  • Four
  • Killinâ€? â€?Em with Kindness: Hemingwayâ€?s Racial Recognition in “The Porterâ€?Five
  • “The Snows of Kilimanjaro, â€? “The Short Happy Life of Francis Macomber, â€? and Green Hills of Africa: (Re)drawing the Color Line, or Reimagining the Continent in Shades of Black and White
  • Six
  • The First Shall Be Last, the Last Shall Be First: Erasing and Retracing the Color Line in “The Good Lion, â€? True at First Light, and Under Kilimanjaro
  • Epilogue: Contextualizing Hemingwayâ€?s Grand Complication
  • Notes
  • Works Cited
  • Index

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