The Men With The Movie Camera : the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s.
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of came...
Saved in:
Online Access: |
Full text (MCPHS users only) |
---|---|
Main Author: | |
Format: | Electronic eBook |
Language: | English |
Published: |
New York :
Berghahn Books,
2013
|
Subjects: | |
Local Note: | ProQuest Ebook Central |
Table of Contents:
- List of Illustrations; Acknowledgements; Note on Transliteration and Conventions; Abbreviations; Introduction; Chapter 1: The Theory and Practice of Camera Operation within the Soviet Avant-Garde of the 1920s; Chapter 2: Eduard Tisse and Sergei Eizenshtein; Chapter 3: Anatolii Golovnia and Vsevolod Pudovkin; Chapter 4: Andrei Moskvin and the Factory of the Eccentric Actor; Chapter 5: Danylo Demuts'kyi and Oleksandr Dovzhenko; Conclusion: The End of the Golden Age; Filmography; Bibliography; Index.