The novel : a survival skill /
Offers a completely new account of the relationship between writer, text, and reader. Drawing on ideas from systemic psychology and positioning theory, Parks suggests that both the content and style of a novelist's work, the kind of stories told, and the way in which they are told, form part of...
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Full text (MCPHS users only) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Oxford, United Kingdom :
Oxford University Press,
2015
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| Series: | Literary agenda.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 245 | 1 | 4 | |a The novel : |b a survival skill / |c Tim Parks. |
| 264 | 1 | |a Oxford, United Kingdom : |b Oxford University Press, |c 2015. | |
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| 490 | 1 | |a Literary agenda | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. Four Imagined Meetings -- 2. Schismogenesis and Semantic Polarities -- 3. Joyce: A Winner Looking to Lose -- 4. Good Boy, Bad Boy -- 5. The Reader's Address -- 6. Terrifying Bliss -- 7. Worthy Writers, Worthy Readers. | |
| 520 | |a Offers a completely new account of the relationship between writer, text, and reader. Drawing on ideas from systemic psychology and positioning theory, Parks suggests that both the content and style of a novelist's work, the kind of stories told, and the way in which they are told, form part of a more general strategy of survival that the novelist has developed in response to tensions within his or her family of origin. Radically undermining traditional lit-crit criteria, and deconstructing the pieties with which the novel is usually defended, Parks gives a novelist's own insider account of what may be best understood as the biography of the act of writing itself and its relation to the lives with which it is entwined. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Fiction |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Fiction |x Psychological aspects. | |
| 650 | 0 | |a Books and reading. | |
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