The Routledge Companion to Art in the Public Realm

This multidisciplinary companion offers a comprehensive overview of the global arena of public art. It is organised around four distinct topics: activation, social justice, memory and identity, and ecology, with a final chapter mapping significant works of public and social practice art around the w...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Other Authors: Cartiere, Cameron (Editor), Tan, Leon (Editor)
Format: Electronic eBook
Language:English
Published: London : Routledge, 2020
Series:Routledge companions.
Subjects:
Local Note:ProQuest Ebook Central

MARC

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245 0 4 |a The Routledge Companion to Art in the Public Realm  |h [electronic resource] /  |c edited by Cameron Cartiere, Leon Tan. 
264 1 |a London :  |b Routledge,  |c 2020. 
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490 1 |a Routledge companion 
504 |a Includes bibliographical references and index. 
505 0 |a <P><STRONG>PART I: </STRONG><STRONG>Introduction</STRONG></P><P>1. Expanding Our Collective Imagination Through Public Art and Social Practice</P><P><EM>Cameron Cartiere and Leon Tan</EM></P><P><STRONG>PART II: </STRONG><STRONG>Activation</STRONG></P><P>2. Towards a Public of 'the Otherwise'</P><P><EM>Meenakshi Thirukode</EM></P><P>3. Japan's Rural Art Festivals: The Echigo-Tsumari Paradigm</P><P><EM>Justin Jesty</EM></P><P>4. Shaking the Snow Globe and Changing the City</P><P><EM>Melissa Laing</EM></P><P>5. Political Art and Metaphoric Exchange</P><P><EM>Steven Cottingham</EM></P><P>6. Gardens and Grains: Design Activations in the Public Realm</P><P><EM>Gretchen Coombs</EM></P><P>7. ACT: Activating City Transience</P><P><EM>Maggie McCormick</EM></P><P><STRONG>PART III: </STRONG><STRONG>Social Justice</STRONG></P><P>8. Art as Protest: The Forced Eviction of the Shijhou and Sa'owac Urban Indigenous Tribes in Taiwan</P><P><EM>Lu Pei-Yi</EM></P><P>9. Participation Problematises: Together in Violence</P><P><EM>Anthony Schrag</EM></P><P>10. As If: An Embodied Account</P><P><EM>Beatrice Catanzaro</EM></P><P>11. Quiet Gestures, Gift Exchange, and Public Formations: The Work of D.A.N.C.E. Art Club and Public Share</P><P><EM>Lana Lopesi</EM></P><P>12. Surviving Institutionalised Care: Accessibility as Social Practice</P><P><EM>Carmen Papalia</EM></P><P><STRONG>PART IV: </STRONG><STRONG>Memory and Identity</STRONG></P><P>13. Suspended Memory: Ebbs and Flows in Attempts at Memorialising in Post-Apartheid South Africa</P><P><EM>Jay Pather</EM></P><P>14. The Double Act of Flower Time</P><P><EM>Raqs Media Collective</EM></P><P>15. (In)famous: Contemporary Lessons from History's Heroes</P><P><EM>Jennifer Wingate</EM></P><P>16. Public Art, Cultural Identity, and the River of Oblivion</P><P><EM>José Quaresma</EM></P><P>17. Luanda's Emotional Geography</P><P><EM>Fabio Vanin</EM></P><P>18. The Imaginary Institution of Place: Notes on Art-led Place-Making as Aesthetic, Social, and Temporal Engineering</P><P><EM>Giusy Checola</EM></P><P>19. The Battle of Public Sculptures: On Three Sculptures in Hong Kong</P><P><EM>Oscar Ho Hing-Kay</EM></P><P>20. Public Art, Gentrification, and the Preservation of Black and BrownUrban Identity: The Case of Little Haiti, Miami -- an Interview with Muralist Serge Toussaint</P><P><EM>Martin Zebracki</EM></P><P><STRONG>PART V: </STRONG><STRONG>Ecology</P></STRONG><P>21. Digging in the World: Art and Emergent Forms for Living</P><P><EM>Susanne Cockrell</EM></P><P>22. Landscape, Eco-Arts Practice, and Digital Technology in the Public Art Realm</P><P><EM>Laura Lee Coles</EM></P><P>23. Changing Space</P><P><EM>Lesia Prokopenko</EM></P><P>24. Ensemble Practices</P><P><EM>Iain Biggs</EM></P><P>25. Public Art Visions and Possibilities: From the View of a Practising Artist</P><P><EM>Betsy Damon</EM></P><P>26. A Compass Rose for the Anthropocene: New Maps for Old -- the Art of Transforming Cultures for Sustainable Futures</P><P><EM>Beth Carruthers</EM></P><P>27. In the Time of Art with Policy: The Practice of Helen Mayer Harrison and Newton Harrison Alongside Global Environmental Policy Since the 1970s</P><P><EM>Chris Fremantle, Anne Douglas, and Dave Pritchard</EM></P><P>28. The Harrisons' Practice in the Context of Global Environmental Policy and Politics from the 1960s to 2019: A Timeline</P><P><EM>Chris Fremantle, Anne Douglas, and Dave Pritchard</EM></P><P><STRONG>PART VI: </STRONG><STRONG>Mapping Social Change</STRONG></P><P>29. Mapping Art in the Public Realm 2008-2018</P><P><EM>Cameron Cartiere, Leon Tan, and Elisha Masemann (map design, Geo</EM><EM>ff Campbell)</P></EM> 
520 |a This multidisciplinary companion offers a comprehensive overview of the global arena of public art. It is organised around four distinct topics: activation, social justice, memory and identity, and ecology, with a final chapter mapping significant works of public and social practice art around the world between 2008 and 2018. The thematic approach brings into view similarities and differences in the recent globalisation of public art practices, while the multidisciplinary emphasis allows for a consideration of the complex outcomes and consequences of such practices, as they engage different disciplines and communities and affect a diversity of audiences beyond the existing 'art world'. The book will highlight an international selection of artist projects that illustrate the themes. This book will be of interest to scholars in contemporary art, art history, urban studies, and museum studies. 
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650 0 |a Art and society. 
650 0 |a Art and social action. 
700 1 |a Cartiere, Cameron,  |e editor. 
700 1 |a Tan, Leon,  |e editor. 
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