B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present /
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical,...
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Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Farnham, England ; Burlington, VT :
Ashgate,
2009
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| Series: | Ashgate popular and folk music series.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
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| 100 | 1 | |a Plasketes, George, |e author. | |
| 245 | 1 | 0 | |a B-sides, undercurrents and overtones : |b peripheries to popular in music, 1960 to the present / |c George Plasketes, Auburn University, USA. |
| 264 | 1 | |a Farnham, England ; |a Burlington, VT : |b Ashgate, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (xii, 209 pages) | ||
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| 490 | 1 | |a Ashgate popular and folk music series | |
| 504 | |a Includes bibliographical references (pages 195-201) and index. | ||
| 505 | 0 | |a Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata. | |
| 520 | |a There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha. | ||
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