B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present /
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical,...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Farnham, England ; Burlington, VT :
Ashgate,
2009
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| Series: | Ashgate popular and folk music series.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
Table of Contents:
- Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves
- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation
- Covering outside the lines : Hans Fenger and the Langley Schools music project
- Geffen Records v. Neil Young : the battle of the brands
- Music and movie mutuality : Ry Cooder, the involved bystander
- World music missionaries : cross culture convergences
- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert
- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr
- Must sing TV : pop rock sitcom cameo obscuras
- Umbilical musical chords : lineage, legacy, and mom and pop pedigree
- Die another day : Warren Zevon's desperado deteriorata.
