B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present /

There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical,...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Plasketes, George (Author)
Format: Electronic eBook
Language:English
Published: Farnham, England ; Burlington, VT : Ashgate, 2009
Series:Ashgate popular and folk music series.
Subjects:
Local Note:ProQuest Ebook Central
Table of Contents:
  • Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves
  • How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation
  • Covering outside the lines : Hans Fenger and the Langley Schools music project
  • Geffen Records v. Neil Young : the battle of the brands
  • Music and movie mutuality : Ry Cooder, the involved bystander
  • World music missionaries : cross culture convergences
  • The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert
  • Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr
  • Must sing TV : pop rock sitcom cameo obscuras
  • Umbilical musical chords : lineage, legacy, and mom and pop pedigree
  • Die another day : Warren Zevon's desperado deteriorata.