Word and music studies : essays on performativity and on surveying the field /
The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularl...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Rodopi,
2011
|
| Series: | Word and music studies ;
12. |
| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 245 | 0 | 0 | |a Word and music studies : |b essays on performativity and on surveying the field / |c edited by Walter Bernhart. |
| 260 | |a Amsterdam : |b Rodopi, |c 2011. | ||
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| 490 | 1 | |a Word and music studies ; |v 12 | |
| 505 | 0 | |a Cover; Title Page; Copyright Page; Table of Contents; Introduction; Performativity in Literature and Music; Performativity and the Musical Work of Art; Text vs. Act: The Bearbeitungsfrage anh the 'Romantic Baroque'; The Act of Performance as Mahlerian Topic; Politics, Music and Irony in Alejo Carpentier's Novel La consagración de la primavera (The Rite of Spring); Musical Performativity in the Fiction of Katherine Mansfield; Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse; ""Music will keep out temporary ideas"": W.B. Yeats's Radio Performances. | |
| 505 | 8 | |a 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and LeibowitzRomantic Opera and the Virtuoso; Sexing Song: Brigitte Fassbaender's Winterreise; Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J.M. Coetzee's Novel; Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality; Jazz Novels and the Textualization of Musical Performance; Charles Mingus and Performative Composing; Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy; Surveying the Field. | |
| 505 | 8 | |a Seeing Words and Music as a Painter Might: The Interart AestheticMilan Kundera's Polyphonic Novels and the Poetics of Divestment; Notes on Contributors. | |
| 520 | |a The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. | ||
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