Digital sensations : space, identity, and embodiment in virtual reality /

"Virtual reality is a technological reproduction of the process of perceiving the real, yet that process is filtered through the social realities and embedded cultural assumptions about human bodies and space held by the technology's creators. Digital Sensations looks closely at how the li...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Hillis, Ken (Author)
Format: Electronic eBook
Language:English
Published: Minneapolis : University of Minnesota Press, 1999
Series:Electronic mediations ; v. 1.
Subjects:
Local Note:ProQuest Ebook Central

MARC

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245 1 0 |a Digital sensations :  |b space, identity, and embodiment in virtual reality /  |c Ken Hillis. 
260 |a Minneapolis :  |b University of Minnesota Press,  |c ©1999. 
300 |a 1 online resource (xl, 271 pages) :  |b illustrations. 
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490 1 |a Electronic mediations ;  |v v. 1 
504 |a Includes bibliographical references (pages 239-255) and index. 
505 0 |a Acknowledgments; List of Abbreviations; Introduction: Digital Relations; 1. A Critical History of Virtual Reality; 2. Precursive Cultural and Material Technologies Informing Contemporary Virtual Reality; 3. The Sensation of Ritual Space; 4. Sight and Space; 5. Space, Language, and Metaphor; 6. Identity, Embodiment, and Place -- VR as Postmodern Technology; Epilogue: Digital Sensations; Notes; References; Index. 
520 |a "Virtual reality is a technological reproduction of the process of perceiving the real, yet that process is filtered through the social realities and embedded cultural assumptions about human bodies and space held by the technology's creators. Digital Sensations looks closely at how the lived world is affected by representational forms generated by communication technologies, especially digital and optical virtual technologies. Through critical histories of the technologies of vision, light, space, and embodiment, Ken Hillis traces the often contradictory intellectual and metaphysical impulses behind the Western transcendental wish to achieve an ever more perfect copy of the real. He advocates that current and proposed virtual technologies reflect a Western desire to escape the body. Because virtual technologies are new, these histories also address unintended and underconsidered consequences flowing from their rapid dissemination, such as commodification and the alienation of new forms of surveillance."--Book cover. 
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