The Invention of Beethoven and Rossini : Historiography, Analysis, Criticism /
Leading scholars re-evaluate the opposition between Beethoven and Rossini, the great symbolic duo of early nineteenth-century music.
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Format: | Electronic eBook |
Language: | English |
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Cambridge :
Cambridge University Press,
2013
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Local Note: | ProQuest Ebook Central |
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100 | 1 | |a Mathew, Nicholas. | |
245 | 1 | 4 | |a The Invention of Beethoven and Rossini : |b Historiography, Analysis, Criticism / |c edited by Nicholas Mathew and Benjamin Walton. |
260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
300 | |a 1 online resource (400 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Cover; Contents; Figures; Contributors; Acknowledgements; Abbreviations; Introduction: Pleasure in history; Notes; Part I The age of Beethoven and Rossini?; 1 Dahlhaus's Beethoven-Rossini Stildualismus: lingering legacies of the text-event dichotomy; Reverential convictions: modes of truth-telling; Reconfiguring Dahlhaus's binary: four alternative hermeneutic genres; Historical inquiry as a constellation of tensions; Notes; 2 Beethoven, Rossini -- and others; Notes; 3 Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography. | |
505 | 8 | |a The edge: Kiesewetter and RossiniThe abyss: Schilling and France; The leap: Brendel and (new) German salvation; After the big leap; Notes; 4 Rossini and Beethoven in the reception of Schubert; Schubert and the two styles; Rossini, Schubert, and creativity; Beethoven, Schubert, and music theory; Notes; Part II Senses of place; 5 Two styles in 1830s London: "The form and order of a perspicuous unity"; Notes; 6 Looking north: Carlo Soliva and the two styles south of the Alps; Notes; 7 "More German than Beethoven": Rossini's Zelmira and Italian style; Notes; 8 On being there in 1824; Notes. | |
505 | 8 | |a Part III Rehearings9 Making overtures; (I) The second curtain; (II) The loud modulation; (III) The soft transition to (IV) The lyrical wind theme; (V) The cadential progression; (VI) The brief retransition; (VII) The move to flat VI; Notes; 10 Beethoven dances: Prometheus and his creatures in Vienna and Milan; I; II; III; IV; Notes; 11 Rossinian repetitions; Notes; Part IV Crossing musical cultures; 12 Very much of this world: Beethoven, Rossini, and the historiography of modernity; Intrusions of the worldly; Triviality transformed; or, the politics of transcendence. | |
505 | 8 | |a The historiography of modernityNotes; 13 Schopenhauer and Rossinian universality: on the Italianate in Schopenhauer's metaphysics of music; Melody's depths; Tessitura and the grades of the will's objectification; The universality of primo ottocento opera; Rossini and Beethoven; Historiographical legacies; Notes; 14 Elements of disorder: appealing Beethoven vs. Rossini; Lost chords; A case of German and Italian rivalry before Rossini; Musical bestiaries; The Creation as universalist model; The strange case of the "Ode to Joy"; Kiesewetter and Stendhal unite Beethoven and Rossini. | |
505 | 8 | |a The Rossini caseTwin reburials: consolidating musical universalism; Notes; 15 Role reversal: Rossini and Beethoven in early biopics; Rossini Hero; Beethoven Lover; Presence and love; Notes; List of works cited; Principal newspaper sources; Books and articles; Index. | |
520 | |a Leading scholars re-evaluate the opposition between Beethoven and Rossini, the great symbolic duo of early nineteenth-century music. | ||
588 | 0 | |a Print version record. | |
590 | |a ProQuest Ebook Central |b Ebook Central College Complete | ||
600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation. |
600 | 1 | 0 | |a Rossini, Gioacchino, |d 1792-1868 |x Criticism and interpretation. |
650 | 0 | |a Music |y 19th century |x History and criticism. | |
650 | 0 | |a Music |x Historiography. | |
700 | 1 | |a Walton, Benjamin, |d 1972- |1 https://id.oclc.org/worldcat/entity/E39PBJxCFfffgHmcCY6dv4jt8C | |
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