Fiery cinema : the emergence of an affective medium in China, 1915-1945 /
Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame per...
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Full text (MCPHS users only) |
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Main Author: | |
Format: | Electronic eBook |
Language: | English |
Published: |
Minneapolis, MN :
University of Minnesota Press,
2015
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Series: | Quadrant Book
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Subjects: | |
Local Note: | ProQuest Ebook Central |
Summary: | Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In 'Fiery Cinema', Bao traces the permutations of this affective medium from the early through the mid-20th century, exploring its role in aesthetics, politics, and social institutions. |
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Item Description: | "Quadrant book." |
Physical Description: | 1 online resource (479 pages) |
Bibliography: | Includes bibliographical references, filmography and index. |
ISBN: | 9781452943671 1452943672 9781336280519 1336280514 9781452950655 1452950652 |
Source of Description, Etc. Note: | Print version record. |