Portraiture and British gothic fiction : the rise of picture identification, 1764-1835 /
Traditionally, kings and rulers were featured on stamps and money; the titled and affluent commissioned busts and portraits; and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Baltimore :
Johns Hopkins University Press,
2013
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| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Elliott, Kamilla, |d 1957- |1 https://id.oclc.org/worldcat/entity/E39PCjr6Y4dmwKHCCdKqm4Kwyb | |
| 245 | 1 | 0 | |a Portraiture and British gothic fiction : |b the rise of picture identification, 1764-1835 / |c Kamilla Elliott. |
| 260 | |a Baltimore : |b Johns Hopkins University Press, |c 2013. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Theory and/of Picture Identification -- The Politics of Picture Identification -- The Age of Portraiture and the Portraiture of Politics -- Matriarchal versus Patriarchal Picture Identification -- Portraits, Progeny, Iconolatry, and Iconoclasm -- Identifying Pictures -- Pictures Identifying -- Iconism and the Aesthetics of Gothic Fiction -- Desiring Picture Identification -- Fearing Picture Identification. | |
| 520 | |a Traditionally, kings and rulers were featured on stamps and money; the titled and affluent commissioned busts and portraits; and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to the author, our current practices of “picture identification” (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. This book examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a National characteristics, English, in literature. | |
| 650 | 0 | |a Art and society |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Art and society |z Great Britain |x History |y 18th century. | |
| 650 | 0 | |a Gothic revival (Literature) |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Gothic revival (Literature) |z Great Britain |x History |y 18th century. | |
| 650 | 0 | |a English fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a Art in literature. | |
| 650 | 0 | |a English fiction |y 18th century |x History and criticism. | |
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