Front lines of community : Hollywood between war and democracy /

Based on the premise that a society's sense of commonality depends upon media practices, this study examines how Hollywood responded to the crisis of democracy during the Second World War by creating a new genre - the war film. Developing an affective theory of genre cinema, the study's fo...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Kappelhoff, Hermann (Author)
Other Authors: Hendrickson, Daniel, 1963- (Translator)
Format: Electronic eBook
Language:English
German
Published: Berlin ; Boston : De Gruyter, 2018
Series:Cinepoetics ; volume 1
Subjects:
Local Note:ProQuest Ebook Central

MARC

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100 1 |a Kappelhoff, Hermann,  |e author. 
240 1 0 |a Genre und Gemeinsinn.  |l English 
245 1 0 |a Front lines of community :  |b Hollywood between war and democracy /  |c Hermann Kappelhoff ; translated by Daniel Hendrickson. 
264 1 |a Berlin ;  |a Boston :  |b De Gruyter,  |c [2018] 
300 |a 1 online resource 
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490 0 |a Cinepoetics ;  |v volume 1 
504 |a Includes bibliographical references and indexes. 
505 0 0 |t Frontmatter --  |t Preface --  |t Contents --  |t Acknowledgments --  |t A Shell-Shocked Face: Prologue --  |t 1. Repair Work on the Sense of Commonality --  |t 2. The Poetology of Genre Films --  |t 3. The Emergence of the War Film Genre: A Construction of its Poetological Origins --  |t 4. Genre and History --  |t Genre and Sense of Commonality: An Epilogue --  |t Bibliography --  |t Name index --  |t Film index --  |t Subject index 
520 |a Based on the premise that a society's sense of commonality depends upon media practices, this study examines how Hollywood responded to the crisis of democracy during the Second World War by creating a new genre - the war film. Developing an affective theory of genre cinema, the study's focus on the sense of commonality offers a new characterization of the relationship between politics and poetics. It shows how the diverse ramifications of genre poetics can be explored as a network of experiental modalities that make history graspable as a continuous process of delineating the limits of community. 
546 |a In English. 
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650 0 |a World War, 1939-1945  |x Motion pictures and the war. 
650 0 |a War films  |z United States  |x History and criticism. 
650 0 |a Motion pictures  |z United States  |x History  |y 20th century. 
650 0 |a War films  |x History and criticism. 
650 0 |a Politics in motion pictures. 
650 0 |a Motion pictures  |x Political aspects  |z United States. 
700 1 |a Hendrickson, Daniel,  |d 1963-  |e translator.  |1 https://id.oclc.org/worldcat/entity/E39PCjvvrVGjQfM9x96Q7Vbgjy 
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