The philosophy of Michael Mann /
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense...
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Full text (MCPHS users only) |
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| Other Authors: | , , |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lexington, Ky. :
University Press of Kentucky,
2014
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| Series: | Philosophy of popular culture.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 245 | 0 | 4 | |a The philosophy of Michael Mann / |c edited by Steven Sanders, Aeon J. Skoble, and R. Barton Palmer. |
| 246 | 3 | 0 | |a Michael Mann |
| 264 | 1 | |a Lexington, Ky. : |b University Press of Kentucky, |c [2014] | |
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| 490 | 1 | |a Philosophy of popular culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a An introduction to the philosophy of Michael Mann / Steven Sanders -- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett -- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer -- Existential Mann / Steven Sanders -- "Do you see?": Reflecting on evil in Manhunter / Aeon J. Skoble -- Mann and Übermensch: evil and power in Manhunter / David Sterritt -- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer -- Style, meaning, and myth in Public enemies / Steven Rybin -- Interiorization in public enemies / Murray Pomerance -- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens -- The ethics of contracts, conscience, and courage in The insider / David LaRocca -- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth -- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka -- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk -- Emotion, truth, and space in Heat / Jonah Corne -- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz. | |
| 520 | |a Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central University Press Subscription | ||
| 600 | 1 | 0 | |a Mann, Michael, |d 1943- |x Criticism and interpretation. |
| 655 | 0 | |a Electronic books. | |
| 700 | 1 | |a Sanders, Steven, |d 1945- |e editor. | |
| 700 | 1 | |a Skoble, Aeon J., |e editor. | |
| 700 | 1 | |a Palmer, R. Barton, |d 1946- |e editor. | |
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