Racial uplift and American music, 1878-1943 /

Racial Uplift and American Music 1878-1943 traces the career of racial uplift ideology as a factor in elite African Americans' embrace of classical music around the turn of the previous century, from the collapse of Reconstruction to the death of composer/conductor R. Nathaniel Dett, whose musi...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Schenbeck, Lawrence
Format: Electronic eBook
Language:English
Published: Jackson : University Press of Mississippi, 2012
Series:American made music series.
Subjects:
Local Note:ProQuest Ebook Central

MARC

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245 1 0 |a Racial uplift and American music, 1878-1943 /  |c Lawrence Schenbeck. 
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504 |a Includes bibliographical references and index. 
505 0 |a James Monroe Trotter and his forebears -- W.E.B. Du Bois and the uses of black music -- Nathaniel Dett and romantic nationalism -- Dett against the modernists -- Nora Douglas Holt and her world : mediating music in the black community -- Music, race, and the Rosenwalds. 
520 |a Racial Uplift and American Music 1878-1943 traces the career of racial uplift ideology as a factor in elite African Americans' embrace of classical music around the turn of the previous century, from the collapse of Reconstruction to the death of composer/conductor R. Nathaniel Dett, whose music epitomized "uplift." After Reconstruction many black leaders had retreated from emphasizing "inalienable rights" to a narrower rationale for equality and inclusion: they now sought to rehabilitate the Race's image by stressing class distinctions, respectable middle-class behavior, a. 
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650 0 |a African Americans  |x Social conditions  |y To 1964. 
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