From now on : new and selected poems, 1970-2015 /
Clarence Major is a consummate artist whose work in poetry, fiction, and painting has been widely recognized. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. Major's works-and this col...
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| Language: | English |
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Athens :
University of Georgia Press,
2015
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| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Major, Clarence, |e author. | |
| 240 | 1 | 0 | |a Poems. |k Selections |
| 245 | 1 | 0 | |a From now on : |b new and selected poems, 1970-2015 / |c Clarence Major. |
| 260 | |a Athens : |b University of Georgia Press, |c [2015] | ||
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| 505 | 0 | |a Cover; Contents; Foreword; A Note on the Early Poems; Acknowledgments; From Swallow the Lake (1970); Abbreviation of the Blues; Air; Blind Old Woman; Longlegs; Segregated Self; Something Is Eating Me Up Inside; From Private Line (1971); A Mother's Pride; Private Line; Rock Music USA; From Symptoms and Madness (1971); Picnic; Dream; The Backyard Smelled of Deodorant; Conflict; Not This-This Here!; This Temple; Holy Ghost Woman; Theater; The Distance between Tomorrow and Me; Float Up; My People Are in Centers; The Rose and Satisfaction; From The Cotton Club (1972); 1915 Interior; 1919. | |
| 505 | 8 | |a In the Interest of Personal AppearanceLadies Day 1902; The Bust; Like Family; Quick History of an Untarnished Sad Moment in Time; Rig; From The Syncopated Cakewalk (1974); Bruce and Nina; Outpost; H; The Ground; I Depart Some Months for Whole Areas; Law Magic; The High Purpose; Doodle; Gothic Westchester; Her Emotional Nature; Zigzag Patterns; Mountain Man; Old Car; Queen Pamunkey; The Jefferson Company; The Other End of the Land; American Setup; Cadillac; From Inside Diameter: The France Poems (1985); Beaulieu; Bouquet for Lovers; Inside Diameter; Losing Control at Nice. | |
| 505 | 8 | |a Over Drinks at Café au CharbonnageIn the City of Motorbikes; Last Days in France; Selected Moments in France; From Surfaces and Masks (1988); III; VI; XI; XV; XX; XXVI; XXIX; XXXII; XXXIV; XXXVIII; XXXIX; XL; XLI; XLII; XLIV; From Some Observations of a Stranger at Zuni in the Latter Part of the Century (1989); Some Observations of a Stranger at Zuni in the Latter Part of the Century; Glossary; From Parking Lots (1992); Parking Lots; From Configurations: New and Selected Poems 1958-1998 (1998); Round Midnight; Love against Death; Train Stop; Un Poco Loco; No Time for Self-Pity. | |
| 505 | 8 | |a September MendocinoBrief Visit to Venice; Drawing from Life; The Slave Trade: View from the Middle Passage; Bernardston; Frenzy; Bricks and Sleep; The Apple-Maggot Fly; From Waiting for Sweet Betty (2002); Waiting for Sweet Betty; In My Own Language; Unknown Presence; Mendocino; Photograph of a Gathering of People Waving; From the Train Window Going and Coming; Gathering Mushrooms: Cambira; An Eighteenth-Century Moment; From Myself Painting (2008); The Red Bench; Plein Air; Windows and Women; The Young Doctor (1916); East Lansing, Michigan; Black Snake Blues; Difficult Pose. | |
| 505 | 8 | |a When the Model Does Not ShowThree; In Search of a Motif for Expressive Female Figuration; From Down and Up (2013); Down and Up; Evening Newspaper; Father; The Rope; At The Movies; New Poems (2015); Plein Air; Inside Outside (Again); On the Beach; Leisure Dilemma; Alchemy; Holiday at the Beach; Waiting for the Storm; Ancestor Land; Shop or Store; Summer Visit; Morandi; Ava; Facebook; Mirror, Mirror; Domestic Agenda; Today's War; War and Its Effects; Water and Sand; Noon; The Moon; The Seasons; From Now On; Faith; After Light; Bitterroot; The Vegetable King; Hooray!; Wild Music. | |
| 520 | |a Clarence Major is a consummate artist whose work in poetry, fiction, and painting has been widely recognized. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. Major's works-and this collection in particular-are distinguished by his poetic sociability and his unblinking but generous and affectionate portraiture. In From Now On, a retrospective of poems from the 1950s to the present-including selections from each of Major's previous books of poetry as well as a generous selection of new. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a American poetry |x African American authors. | |
| 650 | 0 | |a African American authors. | |
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