The cinematic body /

In The Cinematic Body, Steven Shaviro proposes a radical new approach to film viewing. Moving between Jerry Lewis and Andy Warhol, between Fassbinder's gay sex icons and George Romero's flesh-eating zombies, The Cinematic Body cuts across disciplinary boundaries and seeks to engage new cur...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Shaviro, Steven
Format: Electronic eBook
Language:English
Published: Minneapolis : University of Minnesota Press, 1993
Series:Theory out of bounds ; v. 2.
Subjects:
Local Note:ProQuest Ebook Central

MARC

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245 1 4 |a The cinematic body /  |c Steven Shaviro. 
260 |a Minneapolis :  |b University of Minnesota Press,  |c ©1993  |g (1994 printing) 
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490 1 |a Theory out of bounds ;  |v v. 2 
504 |a Includes bibliographical references (pages 268-272) and index. 
505 0 |a Film theory and visual fascination -- Contagious allegories: George Romero -- Comedies of abjection: Jerry Lewis -- Bodies of fear: David Croneberg -- Masculinity, spectacle, and the body of Querelle -- Warhol's bodies -- A note on Bresson. 
520 |a In The Cinematic Body, Steven Shaviro proposes a radical new approach to film viewing. Moving between Jerry Lewis and Andy Warhol, between Fassbinder's gay sex icons and George Romero's flesh-eating zombies, The Cinematic Body cuts across disciplinary boundaries and seeks to engage new currents in critical thought. 
520 |a Shaviro radically critiques the Lacanian model currently popular in film theory and film studies, arguing against that model's obsessive emphasis on the phallus, castration anxiety, sadistic master, ideology, and the structure of the signifier. In this groundbreaking volume, Shaviro effectively communicates a sense of the inescapable ambivalence and intensities of contemporary culture, ultimately affirming a thoroughly postmodern sensibility. 
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650 0 |a Motion pictures  |x Aesthetics. 
650 0 |a Film criticism  |x Philosophy. 
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