Framed time : toward a postfilmic cinema /
Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary,...
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| Online Access: |
Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Chicago :
University of Chicago Press,
2007
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| Series: | Cinema and modernity.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
| Summary: | Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché?Stewart investigate. |
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| Physical Description: | 1 online resource (x, 299 pages) : illustrations |
| Bibliography: | Includes bibliographical references (pages 267-282) and index. |
| ISBN: | 9780226774572 0226774570 1281966576 9781281966575 9786611966577 6611966579 |
| Language: | English. |
| Source of Description, Etc. Note: | Print version record. |
