On Edge : Performance at the End of the Twentieth Century.
The state of performance art in the 80s and 90s, documented by the form's leading critic.
Saved in:
| Online Access: |
Full text (MCPHS users only) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Middletown :
Wesleyan University Press,
2012
|
| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
| LEADER | 00000cam a2200000ui 4500 | ||
|---|---|---|---|
| 001 | in00000258349 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 130803s2012 xx o 000 0 eng d | ||
| 005 | 20240703134419.1 | ||
| 020 | |a 9780819572424 | ||
| 020 | |a 081957242X | ||
| 029 | 1 | |a DEBBG |b BV044172793 | |
| 035 | |a (OCoLC)854970401 | ||
| 035 | |a (OCoLC)ocn854970401 | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d ZCU |d MERUC |d ICG |d OCLCO |d OCLCF |d OCLCQ |d OCLCO |d OCLCQ |d DKC |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a NX504 |b .C37 2008 | |
| 082 | 0 | 4 | |a 700.97309045 |
| 100 | 1 | |a Carr, C. | |
| 245 | 1 | 0 | |a On Edge : |b Performance at the End of the Twentieth Century. |
| 260 | |a Middletown : |b Wesleyan University Press, |c 2012. | ||
| 300 | |a 1 online resource (394 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a The World According to Jack Smith. | ||
| 505 | 0 | |a Cover; On Edge; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Leaving Terra Firma; Foreword to the Revised Edition; In Extremis; Roped: A Saga of Art in Everyday Life Linda Montano, Tehching Hsieh; Before and After Science Stelarc; This is Only a Test Chris Burden; A Great Wall Marina Abramovic, Ulay; Underground; The Hot Bottom: Art and Artifice in the East Village; Country Clubbing 8BC's Pig Phest; To Thine Own Self Be True Ethyl Eichelberger; Sex Gods, Ekstatic Women John Sex, Nina Hagen, Dancenoise. | |
| 505 | 8 | |a The Revolution That Won't Be Televised Michael Smith, Karen Finley, Harry Kipper, et al. R.I.P. 8BC The end of the never-ending talent show; Art Crimes Cinema of Transgression, Outlaw Parties, et al.; Loisada Talking Pictures Ela Troyano; The Queer Frontier Holly Hughes, Carmelita Tropicana; Disenchanted Evening Donna Henes; Big Bang Theory Poppo Shiraishi; Bad Company at the Love Club Karen Finley, Carlo McCormick; Help Thou Mine Unbelief The Church of the Little Green Man; Nightclubbing The Tompkins Square Riot; The Triumph of Neoism The Millionth Apartment Festival. | |
| 505 | 8 | |a Don't Make Me Over Slaves of New York, Darius JamesJust Revolting Missing Foundation; Regenerate Art; Unspeakable Practices, Unnatural Acts: The Taboo Art of Karen Finley; The Lady Is a Dick: The Dyke Noir Theater of Holly Hughes; Body Beautiful FrankMoore; Lydia Lunch Faces the Void; Learning to Love the Monster Jon Moritsugu, Johanna Went; The Kipper Kids in Middle Age; Life is a Killer Joe Coleman; Is That You? Fiona Templeton; Deconstructing Dixie Laurie Carlos, Jessica Hagedorn, Robbie McCauley; A Crash of Symbols Sherman Fleming, Kristine Stiles; Two Birds with One Stone Dancenoise. | |
| 505 | 8 | |a A Public Cervix Announcement Annie Sprinkle, the Smut FestRevisions of Excess The V-Girls, Blue Man Group; An Artist Retreats from Rage Rafael Montañez Ortiz; Beauties and Beasts Salley May, Ms. Make-Believe, David Lynch; Radical Shriek Diamanda Galas; Simulacra Stops Here The Border Arts Workshop /Taller de Arte Fronterizo; Redicovering America Guillermo Gómez-Peña; Talk Show Robbie McCauley, Jeannie Hutchins; A Cinema Against the Vérités Shu Lea Cheang; Wired; Am I a Camera? John Jesurun; Am I Living in a Box? Ann Magnuson; The Vanguard Moves to Melrose Place Mel Chin and the GALA Committee. | |
| 505 | 8 | |a The Heart of the Web Nina Sobell, Emily HartzellCall Her Ishmael Laurie Anderson; War on Art; An NEA Timeline (Just the Lowlights); Portrait of an Artist in the Age of AIDS David Wojnarowicz; The Sexual Politics of Censorship Targeted Artists and the Wrathful Dads; With Mapplethorpe in Cincinnati ""The Perfect Moment"" on Trial; The Adventures of Andre Serrano in Pursuit of the White Supremacists; Gross Indecency: The NEA Four Decision; Fin-de-Millenium; The Bohemian Diaspora; In the Discomfort Zone William Pope. L; Dancing in the Streets Yoshiko Chuma; The Pain Artist Bob Flanagan. | |
| 520 | |a The state of performance art in the 80s and 90s, documented by the form's leading critic. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Performance art |z United States. | |
| 650 | 0 | |a Arts, American |y 20th century. | |
| 758 | |i has work: |a On edge (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH4C7gFMKCbvgWPTHGm9j3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Carr, C. |t On Edge : Performance at the End of the Twentieth Century. |d Middletown : Wesleyan University Press, ©2012 |z 9780819568885 |
| 852 | |b E-Collections |h ProQuest | ||
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/mcphs/detail.action?docID=1122637 |z Full text (MCPHS users only) |t 0 |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1122637 | ||
| 947 | |a FLO |x pq-ebc-base | ||
| 999 | f | f | |s 79f08862-8148-45a8-8d8f-23f6a65b818a |i 2aefb87a-0dc3-4377-8a77-423962b69d91 |t 0 |
| 952 | f | f | |a Massachusetts College of Pharmacy and Health Sciences |b Online |c Online |d E-Collections |t 0 |e ProQuest |h Other scheme |
| 856 | 4 | 0 | |t 0 |u https://ebookcentral.proquest.com/lib/mcphs/detail.action?docID=1122637 |y Full text (MCPHS users only) |
