Karaoke Idols: Popular Music and the Performance of Identity.
Most ethnographers don't achieve what Kevin Brown did while conducting their research: in his two years spent at a karaoke bar near Denver, Colorado, he went from barely able to carry a tune to someone whom other karaoke patrons requested to sing. Along the way, he learned everything you might...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
[Place of publication not identified] :
National Book Network International,
2015
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Brown, Kevin. | |
| 245 | 1 | 0 | |a Karaoke Idols: Popular Music and the Performance of Identity. |
| 264 | 1 | |a [Place of publication not identified] : |b National Book Network International, |c 2015. | |
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| 504 | |a Includes bibliographical references (pages 133-137) and index. | ||
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; Synopsis; About the Author; Overture; Chapter 1: My Way; Chapter 2: Turning Japanese; Chapter 3: Boys Don't Cry; Chapter 4: Paint it Black; Chapter 5: Friends in Low Places; Chapter 6: Sweet Caroline; Finale; Afterword: Karaoke as Performance Reactivation by Philip Auslander; Bibliography; Index; Back Cover | |
| 520 | |a Most ethnographers don't achieve what Kevin Brown did while conducting their research: in his two years spent at a karaoke bar near Denver, Colorado, he went from barely able to carry a tune to someone whom other karaoke patrons requested to sing. Along the way, he learned everything you might ever want to know about karaoke and the people who enjoy it. The result is Karaoke Idols, a close ethnography of life at a karaoke bar that reveals just what we are doing when we take up the mic ... and how we shape our identities, especially in terms of gender, ethnicity, and class, through performances in everyday life. | ||
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