|
|
|
|
| LEADER |
00000cam a2200000ui 4500 |
| 001 |
in00000265310 |
| 006 |
m o d |
| 007 |
cr |n||||||||| |
| 008 |
161027s2016 enk fob 001 0 eng d |
| 005 |
20240703134954.1 |
| 015 |
|
|
|a GBB7E7143
|2 bnb
|
| 016 |
7 |
|
|a 018090229
|2 Uk
|
| 019 |
|
|
|a 961828717
|a 1065348344
|
| 020 |
|
|
|a 1783207221
|q (electronic bk.)
|
| 020 |
|
|
|a 9781783207220
|q (electronic bk.)
|
| 020 |
|
|
|a 9781783207237
|q (EPUB)
|
| 020 |
|
|
|a 178320723X
|q (EPUB)
|
| 020 |
|
|
|z 1783207213
|
| 020 |
|
|
|z 9781783207213
|
| 029 |
1 |
|
|a GBVCP
|b 1020670789
|
| 029 |
1 |
|
|a UKMGB
|b 018090229
|
| 029 |
1 |
|
|a AU@
|b 000065558637
|
| 029 |
1 |
|
|a AU@
|b 000060651491
|
| 035 |
|
|
|a (OCoLC)961343779
|z (OCoLC)961828717
|z (OCoLC)1065348344
|
| 035 |
|
|
|a (OCoLC)ocn961343779
|
| 037 |
|
|
|a 966062
|b MIL
|
| 037 |
|
|
|a 22573/ctv36wh352
|b JSTOR
|
| 040 |
|
|
|a IDEBK
|b eng
|e rda
|e pn
|c IDEBK
|d OCLCO
|d EBLCP
|d N$T
|d OCLCF
|d IDEBK
|d OCLCQ
|d YDX
|d OCLCQ
|d SNK
|d DKU
|d AUW
|d INTCL
|d IGB
|d D6H
|d VTS
|d AGLDB
|d NLE
|d OCLCO
|d G3B
|d S8J
|d S9I
|d STF
|d UKAHL
|d OCLCQ
|d UKMGB
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d JSTOR
|d OCLCO
|d OCLCL
|
| 050 |
|
4 |
|a PN1650.T56
|b R3 2016eb
|
| 072 |
|
7 |
|a PER
|2 ukslc
|
| 072 |
|
7 |
|a PER
|x 011000
|2 bisacsh
|
| 072 |
|
7 |
|a DRA
|x 000000
|2 bisacsh
|
| 072 |
|
7 |
|a PHI
|x 000000
|2 bisacsh
|
| 082 |
0 |
4 |
|a 792/.01
|2 23
|
| 100 |
1 |
|
|a Rabey, David Ian,
|d 1958-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjr3q94jqCrr7xpGDQwvxP
|
| 245 |
1 |
0 |
|a Theatre, time and temporality :
|b melting clocks and snapped elastics /
|c David Ian Rabey.
|
| 264 |
|
1 |
|a Bristol, UK :
|b Intellect,
|c 2016.
|
| 300 |
|
|
|a 1 online resource (xi, 264 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
|
|a data file
|2 rda
|
| 366 |
|
|
|b 20161115
|c IP
|
| 490 |
1 |
|
|a Theatre & consciousness,
|x 1753-3058
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Theatre in Time; Chapter 1: Whose Time Is It?; What Fundamental Things Apply?; Time Is Ticking (Clock of The Heart); Temporality: What Is 'The Time'?; Intensifying Combinations: Theatrical Time; Melting Clocks and Snapped Elastics; Wild Mercury; Points of Departure; Creative Tension; Stretch and Flow; Cause and Effect; Slaves To The Rhythm; Morality and Money; (Un)Doing The Maths; Beating The Bounds; Chapter 2: Theatre in Time; Starting The Day; Interlude: Ways of Speed; Starting The Night.
|
| 505 |
8 |
|
|a Chronos and KairosBachelard and The Dialectic of Duration; Prigogine and Theatre As Dissipative Structure; Theatre As Diffusive Resonance: Green's Random; Theatre As Dissipative Structure: Wesker's The Kitchen; Theatre As Chaotic Map: Beckett's Krapp's Last Tape; Barbara Adam and Quantum Theatrics; Chronos V. Kairos: Thomas's Flowers of The Dead Red Sea:'The Whole Fucking Shit Palace Falls on Our Heads'; Theatrical Timescapes; Interval: A Hole in The Night; Part Ii: Time in Theatre; Chapter 3: Shapes of Time; Everything Must Change; Distinctions in Time; Models of Theatrical Time: A Survey.
|
| 505 |
8 |
|
|a Temporal 'Thickness' in Morality PlaysDr Faustus: 'The Double Motion of The Planets'; Shakespeare: Too Long for A Play; Dislocations in Dreamtime; Wilder: Stygian Perspectives on The Passing World; Priestley: Hinges in Time; Wesker: Disillusion and Dynamism; Comical-Historical-Tragical; Interlude 1: 'Why Don't You All Just F-F-Fade Away'?: Further Thoughts on Staging Ageing; Chapter 4: Principles of Uncertainty; Beckett: Marking Time/Shoring Up The Debris; Pinter: in Search of Lost Time; Barker: 'The Sheer Suspension of Not Knowing'; Complicating Shadows.
|
| 505 |
8 |
|
|a Ed Thomas: Memory, Desire and The Parts You Throw AwayButterworth: Time Past and Time Present; Breaking The Loop: Mcdowall's Radical Uncertainty; Interlude 2: The Clock in The Forest: Jerusalem Unenclosed: A Case History; Chapter 5: Time Out of Joint; Timebends and Countermyths; Bond: Time as Blood Money; Neilson's The Wonderful World of Dissocia: 'Inside-Between The Carvings of The Clock'; Once Upon A Time: Churchill's Traumatic Dystopias; The Time that Does Not Heal; Rudkin: The Once and Future; Rifkin: Searching for the New 'Time Rebels'
|
| 505 |
8 |
|
|a Reverse Engineering: The Radicalization of Bradley ManningInconclusion: Repent, Harlequin & Stolen Moments; Envoi: Give Me Just a Little More Time; References; Index.
|
| 521 |
|
|
|a Specialized.
|
| 588 |
0 |
|
|a Print version record.
|
| 590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
| 650 |
|
0 |
|a Drama
|x History and criticism.
|
| 650 |
|
0 |
|a Time in literature.
|
| 650 |
|
0 |
|a Theater
|x History.
|
| 758 |
|
|
|i has work:
|a Theatre, time and temporality (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFF7jywgtWpkkWtrXdqMCP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|z 9781783207220
|
| 830 |
|
0 |
|a Theatre and consciousness.
|
| 852 |
|
|
|b E-Collections
|h ProQuest
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/mcphs/detail.action?docID=4729450
|z Full text (MCPHS users only)
|t 0
|
| 938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH32558757
|
| 938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL4729450
|
| 938 |
|
|
|a EBSCOhost
|b EBSC
|n 1406721
|
| 938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis36854249
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 13237649
|
| 947 |
|
|
|a FLO
|x pq-ebc-base
|
| 999 |
f |
f |
|s 2904ee0d-1389-49b6-97f7-517c063ea282
|i 50b278fd-6247-4451-be62-540893f8e651
|t 0
|
| 952 |
f |
f |
|a Massachusetts College of Pharmacy and Health Sciences
|b Online
|c Online
|d E-Collections
|t 0
|e ProQuest
|h Other scheme
|
| 856 |
4 |
0 |
|t 0
|u https://ebookcentral.proquest.com/lib/mcphs/detail.action?docID=4729450
|y Full text (MCPHS users only)
|
