Reordering of Culture : Latin America, the Caribbean and Canada in the Hood /
Annotation
Saved in:
| Online Access: |
Full text (MCPHS users only) |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
MQUP,
1995
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
Table of Contents:
- ""Cover""; ""Contents""; ""Acknowledgements""; ""INTRODUCTION""; ""Latin America, the Caribbean and Canada: The New Cultural Neighbourhood""; ""I: RENEGOTIATING BELIEF SYSTEMS""; ""The Pope Must Have Been Drunk, The King of Castile a Madman: Culture as Actuality, and the Caribbean Rethinking Modernity""; ""A Conflict of Theological Interpretations: Baroque Scholasticism versus Liberation Theology""; ""Tell out King Rasta Doctrine Around the Whole World: Rastafari in Global Perspective""; ""De la marginalisation à la déterritorialisation du Rastafari""; ""II: WRITERS BETWEEN WORLDS""
- ""Caribbean Canadian Writers : A Literary Forum Austin Clarke, Cecil Foster, Cyril Dabydeen, Dany Laferri�re""""Notes on Latin American-Canadian Literature""; ""Latin American Writers in Canada: Integration and Distance, Writing at the Crossroads""; ""Writing in Exile: Writing Nowhere for Nobody?""; ""Message from the Crossroads""; ""The Writer in Exile""; ""Aquà estamos: An Overview of Latin American Writing in Quebec Today""; ""Le Théâtre de I'Altérité dans la Compagnie des arts Exilio""; ""III: CRITICAL PERSPECTIVES ON CONTEMPORARY WRITERS""
- ""Redefining the Centre: Austin Clarke and Other West Indian Canadian Writers""""Narrative Quilting in Banana Bottom and Voyage in the Dark""; ""Nature and Imagination: The Bestiary of Dulce MarÃa Loynaz""; ""Poetic Discourse in Babylon: The Poetry of Dionne Brand""; ""Maitre ou Mentor: L'Ombre de Glissant dans Texaco de Patrick Chamoiseau""; ""Banished Between Two Worlds: Exiles in Chilean Canadian Literature""; ""Women's Word: From Resistance to Challenging the Patriarchal Culture""; """"L'Amérique c'est moi"": Dany LaferriÃ?re and the Borderless Text""
- ""IV: INDIGENOUS CULTURES: CREATIVE ENCOUNTERS""""Culture and Education in Post-colonial Development: A Southern Andean Study""; ""Yekmaseualkopan: Y-a-t-il une mani�re moderne d'être nahua?""; ""Art as a Formative Force in Latin America: The Reclamation of the Indigenous and Popular Past in the Art of Nicaragua""; ""Beyond Development and Modernity: Regenerating the Art of Living""; ""V: POPULAR CULTURE IN THE HOOD""; ""Haitian Music in the Global System""; ""Caribbean Popular Music and Civil Society: The Calypso Arena as Voice of the People""
- ""Come to Jamaica and Feel All Right: Tourism, Colonial Discourse and Cultural Resistance""""Constructing Caribbean Culture in Toronto: The Representation of Caribana""; ""Cartooning and Development in the Caribbean""; ""Education and Popular Culture in the Caribbean: Youth Resistance in a Period of Economic Uncertainty""; ""Myth and Signification in Perry Hensell's The Harder They Come""; ""Argentine Commercial Cinema: Industry, Society and Aesthetics, 1983-1989""; ""VI: RETHINKING IDENTITIES""; ""Identity and Differences in the Caribbean Diaspora: Case study from Metropolitan Toronto""
