Popular Is Not Enough A Case Study In The Biographical Method.

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Jaeger, Markus
Format: Electronic eBook
Language:English
Published: Berlin : Ibidem Verlag, 2021
Subjects:
Local Note:ProQuest Ebook Central

MARC

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300 |a 1 online resource (261 p.) 
500 |a Description based upon print version of record. 
500 |a 9.2 Veterans and Mothers Against the War Once More: Joan Baez and Cindy Sheehan. 
505 0 |a Intro -- Introduction -- 1. Stepping Over Boundaries: Materials, Methodology and Theory -- Introduction -- 1.1 Against Wrongful Restrictions: On the Advantages of Interdisciplinarity -- 1.2 Reconstituting Culture: On the Significance of Social Movements -- 1.3 Life Is the Method: On the Sisterhood of Biography and Society -- 1.4 Popular Is Not Enough: On Popular Culture and Politics -- 1.5 A Critical View of a Critical Theorist: How a Bad Frankfurt Pupil Can Still Be Politically Active -- 1.5.1 Music for More Than Music's Sake: On the Credibility of Politically Engaged Artists 
505 8 |a 1.5.2 Words Do Not Change Society: Theory Versus Practice -- 1.5.2.1 On Fictitious Freedom -- 1.5.2.2 On the Credibility of Hazy Categories -- 1.5.2.3 On the Passiveness of Theories -- 2. "The Kingdom of Childhood"8: Major Moments of the 1950s -- Introduction -- 2.1 Religion Without Violence: Joan Baez and the Quakers -- 2.2 Becoming Someone Who Was Alright: On Singing Against Isolation -- 2.3 The Birth of a Passion: Iraq, 1951 -- 2.4 Preparing for the March on Washington: Joan Baez and Dr. Martin Luther King, Jr. -- 2.5 Another Teacher of Pacifism: Jewish Scholar Ira Sandperl 
505 8 |a 3. On Refusal Without Violence: Joan Baez and Henry David Thoreau -- 4. High School Activist and Folk Music Revivalist -- Introduction -- 4.1 Conservative Nostalgia About the 1950s -- 4.2 Pedagogy of Paranoia: Activist for the First Time -- 4.3 The Soundtrack of the American Counterculture: Joan Baez and the Folk Music Revival -- 5. Postwar Fractures in Society: Joan Baez in the 1960s -- Introduction -- 5.1 Doubted Demarcations: American Society and Change in the 1960s -- 5.2 Going Further than Allowed: Joan Baez and the Civil Rights Movement 
505 8 |a 5.3 When Students More than Studied: Joan Baez and the Free Speech Movement -- 5.4 Playing Domino: Joan Baez Against the Vietnam War -- 6. A Roller Coaster Decade: Joan Baez in the 1970s -- Introduction -- 6.1 In the Shadow: The Comeback of Conservatism -- 6.2 No Matter What Their Crime Is: Joan Baez and Political Prisoners -- 6.3 The Normality of Otherness: Joan Baez and the Gay Liberation Movement -- 6.4 Life Saving Songs: Joan Baez in South East Asia After the Vietnam War -- 7. A Narcissistic Decade: Joan Baez in the 1980s -- Introduction 
505 8 |a 7.1 The Political Meaning of Yogurt: Ramboism and Music in the 1980s -- 7.2 Causing Troubles: Joan Baez in Latin America -- 7.3 Organized Non-Violence Once More: Joan Baez in Poland -- 7.4 Singing for the Velvet Revolution: Joan Baez in Czechoslovakia -- 8. Gone from Danger: Joan Baez in the 1990s -- Introduction -- 8.1 Still Speaking of Dreams: On Different Definitions of Energetic Change -- 8.2 Singing at the Frontier Lines: Joan Baez in Sarajevo -- 9. A Lifetime Achievement: Joan Baez in the 2000s -- Introduction -- 9.1 War En Vogue Once More: Consequences of 9/11 
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600 1 0 |a Baez, Joan  |x Political and social views. 
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776 0 8 |i Print version:  |a Jaeger, Markus  |t Popular Is Not Enough: The Political Voice Of Joan Baez  |d Berlin : Ibidem Verlag,c2021 
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