Printing colour 1400-1700 : history, techniques, functions and receptions

Printing colour 1400-1700 : history, techniques, functions and receptions /

In Printing Colour 1400¿́¿1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Other Authors: Stijnman, Ad (Editor), Savage, Elizabeth (Lauren Elizabeth) (Editor)
Format: Electronic eBook
Language:English
Published: Boston : Brill, 2015
Series:Library of the written word ; 41.
Library of the written word. Handpress world ; 32.
Subjects:
Color prints, European.
Art and society > Europe > History.
Local Note:ProQuest Ebook Central
Table of Contents:
  • Introduction: a historical overview of printed colour before 1700
  • / Ad Stijnman and Elizabeth Savage.
  • Part 1: an introduction to colour in printmaking 1400-1700 (1: Materials and Techniques for Early Colour Printing / Ad Stijnman and Elizabeth Savage
  • 2: Colour Printing in Relief before c.1700: A Technical History / Elizabeth Savage
  • 3: Colour Printing in Intaglio before c.1700: A Technical History / Ad Stijnman).
  • Part 2: the advent of colour printing, C.1400-1500 (4: Colour Stamping in the Late Fifteenth and Sixteenth Centuries: Technical Sources and Workshop Practice / Doris Oltrogge
  • 5: The Fust and Schöffer Office and the Printing of the Two-Colour Initials in the 1457 Mainz Psalter / Mayumi Ikeda
  • 6: Colour-Printed Pasteprints, 1460s-1480s / Andreas Uhr
  • 7: The Birgittines of The Netherlands: Experimental Printers and Colourists / Kathryn M. Rudy).
  • Part 3: the renaissance in colour, C.1476-1600 (8: A Printer's Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476-c.1600 / Elizabeth Savage
  • 9: Hans Wechtlin and the Production of German Colour Woodcuts / Alice Klein
  • 10: Ugo da Carpi's Diogenes / Naoko Takahatake
  • 11: The Chiaroscuro Woodcut Printmaking of Ugo da Carpi, Niccolò Vicentino and Antonio da Trento: Technique in Relation to Artistic Style / Linda Stiber Morenus
  • 12: A Technical Study of Sixteenth-Century Italian Chiaroscuro Woodcuts / Beth A. Price, Nancy Ash, Haddon A. Dine, Shelley Langdale, Ken Sutherland, Lucia Burgio and Jo-Fan Huang
  • 13: 'Divine, August and Immortal': The Potentials and Limitations of Colour Printing in the Low Countries, c.1555 / Edward H. Wouk)
  • Part 4: vivid mannerism, c.1588-1650 (14: Hendrick Goltzius's Chiaroscuro Woodcuts Revisited / Marjolein Leesberg
  • 15: Dürer in Chiaroscuro: Early Modern Graphic Aesthetics and the Posthumous Production of Colour Prints / Anja Grebe
  • 16: The 'Camaïeu' Print in Seventeenth-Century Paris: On the Origins of Multi-tonal Printmaking in France / Alexander Dencher).
  • Part 5: product innovation and commercial enterprise, c.1620 -1700 (17: On Hercules Segers's 'Printed Paintings' / Jun Nakamura
  • 18: Opus typo-chromaticum: The Colour Prints of Johannes Teyler / Simon Turner
  • 19: Colourful Topography: A Short-Lived Practice in Amsterdam Print Publishing around 1700 / Elmer Kolfin and Marrigje Rikken).
  • Conclusion: printing colour after 1700 (Jacob Christoff Le Blon and the Invention of Trichromatic Colour Printing, c.1710 / Ad Stijnman).
  • Appendix 1: chronology appendix
  • 2: glossary.
  • Bibliography

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