Reading colonial Korea through fiction : the ventriloquists /
This study examines the roots of modern Korean fiction and its origin in the Japanese colonial period. These essays highlight the intimate connection between modernity and colonialism and provide a wide-ranging investigation into how the language and literature of Korean society was constructed.
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Format: | Electronic eBook |
Language: | English Korean |
Published: |
Lanham, Maryland :
Lexington Books,
2018
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Series: | Critical studies in Korean literature and culture in translation.
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Subjects: | |
Local Note: | ProQuest Ebook Central |
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100 | 1 | |a Kim, Chul, |d 1951- |e author. | |
245 | 1 | 0 | |a Reading colonial Korea through fiction : |b the ventriloquists / |c Kim Chul ; translated by Hye-Joon Yoon. |
264 | 1 | |a Lanham, Maryland : |b Lexington Books, |c 2018. | |
300 | |a 1 online resource (xix, 129 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b n |2 rdamedia | ||
338 | |a online resource |b nc |2 rdacarrier | ||
490 | 1 | |a Critical Studies in Korean Literature and Culture in Translation | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Cover; Reading Colonial Korea through Fiction; Critical Studies in Korean Literature and Culture in Translation; Reading Colonial Korea through Fiction: The Ventriloquists; Contents; Preface; Note on Romanization; Foreword; Chapter 1; Yo-dokari Tablet; Notes; Works Cited; Chapter 2; 'Oily touches on a canvas, stroking and scattering the pigments'; Notes; Works Cited; Chapter 3; 'What Brings You Here?'; Works Cited; Chapter 4; 'The law is not afraid of yangban, is it?'; Note; Works Cited; Chapter 5; 'To talk it over in English'; Works Cited; Chapter 6; 'Love is blind' | |
520 | |a This study examines the roots of modern Korean fiction and its origin in the Japanese colonial period. These essays highlight the intimate connection between modernity and colonialism and provide a wide-ranging investigation into how the language and literature of Korean society was constructed. | ||
588 | 0 | |a Online resource; title from digital title page (viewed on April 25, 2018). | |
590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
650 | 0 | |a Korean fiction |y 1919-1945 |x History and criticism. | |
650 | 0 | |a Politics and literature |z Korea |x History. | |
650 | 0 | |a Korean fiction |x Japanese influences. | |
700 | 1 | |a Yoon, Hye-Joon, |d 1962- |e translator. | |
758 | |i has work: |a Reading colonial Korea through fiction (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPxr4tGHGBH9xjpw3g7Vy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Kim, Chul, 1951- |t Reading colonial Korea through fiction. |d Lanham : Lexington Books, 2018 |z 9781498565684 |w (DLC) 2017058896 |
830 | 0 | |a Critical studies in Korean literature and culture in translation. | |
852 | |b E-Collections |h ProQuest | ||
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/mcphs/detail.action?docID=5311586 |z Full text (MCPHS users only) |t 0 |
880 | 0 | |6 505-00/$1 |a <span><span>Preface, </span><span style="font-style:italic;">Kim Chul</span></span><br /><span><span>Note on Romanization</span></span><br /><span><span>Foreword, </span><span style="font-style:italic;">Theodore Jun Yoo</span></span><br /><span><span>Chapter 1: </span><span style="font-style:italic;">Yo-dokari</span><span> Tablet: The "Modernity" of Korean Language</span></span><br /><span><span>Chapter 2: "Oily touches on a canvas, stroking and scattering the pigments": Train Travel and Korean Fiction</span></span><br /><span><span>Chapter 3: "Nŏ ŏyŏgi wan" What Brings you here": Korean Fiction and the Standard Language</span></span><br /><span><span>Chapter 4: "The law is not afraid of </span><span style="font-style:italic;">yangban</span><span>, is it": Korean Fiction and Modern Law</span></span><br /><span><span>Chapter 5: "To talk it over in English": Korean Fiction and English</span></span><br /><span><span>Chapter 6: "Love is blind": Korean Fiction and Eroticism</span></span><br /><span><span>Chapter 7: "I wish to marry a mainland damsel": Korean Fiction and the "Mainland-Chosŏn Marriage"</span></span><br /><span><span>Chapter 8: "She who returned like a return postcard": Korean Fiction and the Postal System</span></span><br /><span><span>Chapter 9: Coffee, </span><span style="font-style:italic;">Purande</span><span>, Love Candy, and </span><span style="font-style:italic;">Nanjji</span><span>: Culinary Lifestyle and Colonial Modernity</span></span><br /><span><span>Chapter 10: "The agitators are </span><span>辱</span><span>ing me": The Birth of Korean Language</span></span><br /><span><span>Chapter 11: "Is there any power greater than gold": Gold and Korean Fiction</span></span><br /><span><span>Chapter 12: The Colonial Ventriloquists: Chosŏn Writers Writing in Japanese</span></span><br /><span><span>Chapter 13: "When they've all been stripped naked, no part was good for beating": Korean Fiction and the August 15 Liberation</span></span><br /><span><span>Afterword, </span><span style="font-style:italic;">Theodore Hughes</span></span> | |
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