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|a 9780429999321
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|a (OCoLC)1129172002
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|2 23/eng/20230216
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|a Sarrazin, Natalie.
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245 |
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|a Focus
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260 |
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|a Milton :
|b Routledge,
|c 2019.
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300 |
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|a 1 online resource (273 pages)
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|a Focus on World Music Ser.
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|a Song and Dance Spectacle
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505 |
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|a Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Preface -- Acknowledgements -- Part I Understanding Indian Music -- Chapter 1 India in Musical and Cultural Perspective -- Identity and Indian Music -- Linguistic Identity -- Indian Environments -- Geography -- Sacred Geography -- The Monsoon as Inspiration and Devastation -- Cultural, Musical, and Social History of India -- Indian Diversity and Identity -- Gender and Genre -- Bhangra -- Punjabi Women's Songs -- Hijra Identity, Origins, and Musical Associations
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505 |
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|a Religious Practices and Music in India -- Hinduism -- Vedic Chant -- An Oral Heritage -- India's Devotional Soundscape: Bhajan, Kirtan, Qawwali, Sufi Songs -- Mirabai's Bhajan -- The Politics of Mirabai -- Kabir Bhajan -- Islam -- Sufism -- Qawwali -- Notes -- Bibliography -- Chapter 2 Concept and Style in Indian Music -- Introduction to Indian Musical Aesthetics -- Indian Classical and Western Classical -- Indian Musical Concepts of North and South -- An Exploration of Carnatic Raga-s and Form -- An Exploration of Hindustani (North Indian) Raga, Tala, and Form -- Dhrupad -- Khyal -- Thumri
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505 |
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|a Thumri Example -- Ghazal -- Indian Music Notation -- Bhatkhande and Paluskar -- The Popularization of Folk Music -- The Manganiyars: New Approaches on a Rajasthani Folk Tradition -- Anatomy of a Manginayar Folk Song -- Bhojpuri Pop Music -- Tamil Nadu -- Notes -- Bibliography -- Part II Popular Music in India -- Chapter 3 East-West Cross-cultures: Inspiration and Collaboration -- Early Jazz Music in India -- Calcutta's "Cabaret Row" -- Indian Women in Jazz -- Jazz in the Cinema -- Indian Music in and from the West -- Indian Music in the Western Consciousness
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505 |
8 |
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|a East-West Meetings (the 1960s-1970s) -- "Ravi Shankar is the Godfather of World Music" -- George Harrison -- Anand Shankar and the Beginning of British-Asian Fusion -- Subramaniam and Carnatic Fusion -- Nusrat Fateh Ali Khan: The Emperor of Qawwali and Peter Gabriel -- Zakir Hussain: Tabla Maestro and John McLaughlin: Guitar Hero -- The British-Asian Wave: Born in Britain, Remade in India -- The Indian Diaspora Sings -- From Punjab to Birmingham and Back -- The Rise of the Asian Underground in UK and India -- Indi-pop Nation -- Daler Mehndi: Bhangra Indi-pop Superstar
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505 |
8 |
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|a Alisha Chinai: Global Indi-pop Superstar -- Desi Hip-Hop: Beyond Indi-pop -- Conclusion -- Notes -- Bibliography -- Chapter 4 Indian Film Music: Aesthetics, Hybrids, and Representations -- Introduction to Indian Cinema -- Indian Cinema Represents -- Film Songs as National Music -- Indian Cinema as Musical Cinema -- Playback Singing -- Film Songs and the Moral Universe -- Film Songs and Media Distribution -- The Anatomy of a Film Song -- Standard Film Song Formula -- Romance/Love Songs -- The "Item" Number -- Picturizations -- Representational vs. Presentational Picturizations
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|a Popular music
|z India
|x History and criticism.
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758 |
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|a Sarrazin, Natalie.
|t Focus: Popular Music in Contemporary India.
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|z 9781138585454
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