Focus

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Sarrazin, Natalie
Format: Electronic eBook
Language:English
Published: Milton : Routledge, 2019
Series:Focus on World Music Ser.
Subjects:
Local Note:ProQuest Ebook Central
Table of Contents:
  • Cover
  • Half Title
  • Series Information
  • Title Page
  • Copyright Page
  • Table of contents
  • Preface
  • Acknowledgements
  • Part I Understanding Indian Music
  • Chapter 1 India in Musical and Cultural Perspective
  • Identity and Indian Music
  • Linguistic Identity
  • Indian Environments
  • Geography
  • Sacred Geography
  • The Monsoon as Inspiration and Devastation
  • Cultural, Musical, and Social History of India
  • Indian Diversity and Identity
  • Gender and Genre
  • Bhangra
  • Punjabi Women's Songs
  • Hijra Identity, Origins, and Musical Associations
  • Religious Practices and Music in India
  • Hinduism
  • Vedic Chant
  • An Oral Heritage
  • India's Devotional Soundscape: Bhajan, Kirtan, Qawwali, Sufi Songs
  • Mirabai's Bhajan
  • The Politics of Mirabai
  • Kabir Bhajan
  • Islam
  • Sufism
  • Qawwali
  • Notes
  • Bibliography
  • Chapter 2 Concept and Style in Indian Music
  • Introduction to Indian Musical Aesthetics
  • Indian Classical and Western Classical
  • Indian Musical Concepts of North and South
  • An Exploration of Carnatic Raga-s and Form
  • An Exploration of Hindustani (North Indian) Raga, Tala, and Form
  • Dhrupad
  • Khyal
  • Thumri
  • Thumri Example
  • Ghazal
  • Indian Music Notation
  • Bhatkhande and Paluskar
  • The Popularization of Folk Music
  • The Manganiyars: New Approaches on a Rajasthani Folk Tradition
  • Anatomy of a Manginayar Folk Song
  • Bhojpuri Pop Music
  • Tamil Nadu
  • Notes
  • Bibliography
  • Part II Popular Music in India
  • Chapter 3 East-West Cross-cultures: Inspiration and Collaboration
  • Early Jazz Music in India
  • Calcutta's "Cabaret Row"
  • Indian Women in Jazz
  • Jazz in the Cinema
  • Indian Music in and from the West
  • Indian Music in the Western Consciousness
  • East-West Meetings (the 1960s-1970s)
  • "Ravi Shankar is the Godfather of World Music"
  • George Harrison
  • Anand Shankar and the Beginning of British-Asian Fusion
  • Subramaniam and Carnatic Fusion
  • Nusrat Fateh Ali Khan: The Emperor of Qawwali and Peter Gabriel
  • Zakir Hussain: Tabla Maestro and John McLaughlin: Guitar Hero
  • The British-Asian Wave: Born in Britain, Remade in India
  • The Indian Diaspora Sings
  • From Punjab to Birmingham and Back
  • The Rise of the Asian Underground in UK and India
  • Indi-pop Nation
  • Daler Mehndi: Bhangra Indi-pop Superstar
  • Alisha Chinai: Global Indi-pop Superstar
  • Desi Hip-Hop: Beyond Indi-pop
  • Conclusion
  • Notes
  • Bibliography
  • Chapter 4 Indian Film Music: Aesthetics, Hybrids, and Representations
  • Introduction to Indian Cinema
  • Indian Cinema Represents
  • Film Songs as National Music
  • Indian Cinema as Musical Cinema
  • Playback Singing
  • Film Songs and the Moral Universe
  • Film Songs and Media Distribution
  • The Anatomy of a Film Song
  • Standard Film Song Formula
  • Romance/Love Songs
  • The "Item" Number
  • Picturizations
  • Representational vs. Presentational Picturizations