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|a Lawrence, Novotny.
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|a Beyond Blaxploitation
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|a Detroit :
|b Wayne State University Press,
|c 2016.
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|a Contemporary Approaches to Film and Media Series
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|a Includes bibliographical references and indexes.
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|a Cover; Title Page; Copyright; Dedication; Contents; Acknowledgments; Introduction; I. Pioneer to Precursor to Blaxploitation; 1. The "Black Enough" Visual Aesthetic in Cotton Comes to Harlem; 2. Racial Exploitation in Watermelon Man: Contemporary Applications; 3. Sweetback in Chicago; II. The Canon and the Not So Canon; 4. In the Beginning There Was Shaft; 5. The Blood of the Thing (Is the Truth of the Thing): Viral Pathogens and Uncanny Ontologies in Ganja and Hess; 6. A White Film for a Blaxploitation Audience? The Making and Marketing of Detroit 9000
|
| 505 |
8 |
|
|a 7. As Foxy as Can Be: The Melodramatic Mode in Blaxploitation CinemaIII. Was, Is, or Isn't Blaxploitation; 8. Stomping on Stepin Fetchit: Historicizing "Blackness" in African American Film Culture of the 1970s; 9. Norman ... It's Not about You: Decentering Black Gayness in Norman ... Is That You?; 10. Making Exploitation Black: How 1970s "Blaxploitation" Discourse Marginalized Industry History and Constructed Black Viewers' Tastes; 11. From Harlem to Hollywood: The 1970s Renaissance and Blaxploitation; Contributors; Film and Television Index; Subject Index
|
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|a Blaxploitation films
|z United States
|x History and criticism.
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| 700 |
1 |
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|a Metz, Walter.
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| 700 |
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|a Lawrence, Novotny.
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| 700 |
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|a Butters, Jr., Gerald R.
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|a Jr., Gerald R. Butters.
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