Film museum practice and film historiography : the case of the Nederlands Filmmuseum (1946-2000) /

Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces...

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Bibliographic Details
Online Access: Full text (MCPHS users only)
Main Author: Lameris, Bregt (Author)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, 2017
Series:Framing film (Amsterdam, Netherlands)
Subjects:
Local Note:ProQuest Ebook Central

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100 1 |a Lameris, Bregt,  |e author. 
245 1 0 |a Film museum practice and film historiography :  |b the case of the Nederlands Filmmuseum (1946-2000) /  |c Bregt Lameris. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2017] 
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504 |a Includes bibliographical references (pages 245-260) and index. 
505 0 |a Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index. 
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520 |a Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. 
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