Before fiction : the ancien régime of the novel /
Before Fiction asks why so many early novelists pretended their novels were literally true when no one believed them. For Nicholas D. Paige the answer lies in a radically new view of the formal history of the novel in England and France.
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Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Philadelphia :
University of Pennsylvania Press,
2011
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| Edition: | 1st ed. |
| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Paige, Nicholas D. | |
| 245 | 1 | 0 | |a Before fiction : |b the ancien régime of the novel / |c Nicholas D. Paige. |
| 250 | |a 1st ed. | ||
| 260 | |a Philadelphia : |b University of Pennsylvania Press, |c ©2011. | ||
| 300 | |a 1 online resource (xiv, 284 pages) : |b illustrations | ||
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| 347 | |a data file |2 rda | ||
| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The three regimes of the novel -- The impossible Princess (Lafayette) -- Quixote circa 1670 (Subligny) -- How to read a mind (Crébillon) -- The aesthetics of sentiment (Rousseau) -- The demon of reality (Diderot) -- Beyond belief (Cazotte) -- Conclusion: On narrators natural and unnatural. | |
| 520 | |a Before Fiction asks why so many early novelists pretended their novels were literally true when no one believed them. For Nicholas D. Paige the answer lies in a radically new view of the formal history of the novel in England and France. | ||
| 546 | |a In English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a French fiction |y 17th century |x Themes, motives. | |
| 650 | 0 | |a French fiction |y 18th century |x Themes, motives. | |
| 650 | 0 | |a English fiction |y 17th century |x Themes, motives. | |
| 650 | 0 | |a English fiction |y 18th century |x Themes, motives. | |
| 650 | 0 | |a Fiction |x Technique. | |
| 650 | 0 | |a English fiction |y Early modern, 1500-1700 |x Themes, motives. | |
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