Absolute music and the construction of meaning /
This book examines the intellectual history of instrumental music, particularly the idea of absolute music. It shows how certain ideas in philosophy, theology and the sciences affect the meaning of instrumental music, and how instrumental music in turn permeates human discourse and helps construct m...
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Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
1999
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| Series: | New perspectives in music history and criticism.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
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| 100 | 1 | |a Chua, Daniel K. L., |d 1966- |1 https://id.oclc.org/worldcat/entity/E39PCjwhywrQxDfRvcwx3qF83P | |
| 245 | 1 | 0 | |a Absolute music and the construction of meaning / |c Daniel K.L. Chua. |
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©1999. | |
| 300 | |a 1 online resource (xii, 314 pages) : |b illustrations | ||
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| 490 | 1 | |a New perspectives in music history and criticism | |
| 504 | |a Includes bibliographical references (pages 291-306) and index. | ||
| 505 | 0 | |a pt. 1. The Garden of Eden. 1. On history. 2. On modernity. 3. On disenchantment. 4. On division. 5. On opera. 6. On machines. 7. On space. 8. On style -- pt. 2. The Fruit of Knowledge. 9. On being. 10. On the mind. 11. On biology. 12. On the body. 13. On the soul. 14. On morality. 15. On women. 16. On masculinity. 17. On independence. 18. On heroes. 19. On politics. 20. On nothing. 21. On God. 22. On infinity. 23. On self-deification. 24. On invisibility. 25. On conscious life-forms. 26. On artificiality -- pt. 3. The Tower of Babel. 27. On death. 28. On absolute music. 29. On the beautiful and the sublime. 30. On monuments. 31. On the apocalypse. 32. On the end. 33. On suicide. 34. On absolute drivel. 35. On Babel. | |
| 520 | |a This book examines the intellectual history of instrumental music, particularly the idea of absolute music. It shows how certain ideas in philosophy, theology and the sciences affect the meaning of instrumental music, and how instrumental music in turn permeates human discourse and helps construct meaning. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Absolute music. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Meaning (Philosophy) | |
| 650 | 0 | |a Instrumental music |x Philosophy. | |
| 650 | 0 | |a Instrumental music |x History and criticism. | |
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 650 | 0 | |a Music |y 19th century |x History and criticism. | |
| 650 | 1 | 2 | |a Music |x history |
| 655 | 0 | |a Electronic books. | |
| 758 | |i has work: |a Absolute music and the construction of meaning (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH3jKhj8pHMkdJFBRDgBj3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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