Post-fascist fantasies : psychoanalysis, history, and the literature of East Germany /
Post-Fascist Fantasies examines the cultural function of the novels of Communist authors in East Germany from a psychoanalytic angle. Various critics have argued that these socialist realist fictions were monolithic attempts to translate Communist dogma into the realm of aesthetics. Julia Hell argue...
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Full text (MCPHS users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham [N.C.] :
Duke University Press,
1997
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| Series: | Post-contemporary interventions.
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
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| 100 | 1 | |a Hell, Julia, |e author. | |
| 245 | 1 | 0 | |a Post-fascist fantasies : |b psychoanalysis, history, and the literature of East Germany / |c Julia Hell. |
| 260 | |a Durham [N.C.] : |b Duke University Press, |c 1997. | ||
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| 490 | 1 | |a Post-contemporary interventions | |
| 504 | |a Includes bibliographical references (pages 331-359) and index. | ||
| 505 | 0 | 0 | |t Critical Orthodoxies: Toward a New Reading of East German Literature -- |g I. |t In the Name of the Father: East Germany's Foundational Narratives. |g 1. |t Specters of Stalin, of Constructing Communist Fathers. |g 2. |t Stalinist Motherhood, or the Hollow Spaces of Emotion: Netty Reiling/Anna Seghers -- |g II. |t Mapping the Oedipal Story onto Post-Fascist Socialism: New Families/New Bodies. |g 3. |t The Past in the Present: Sons, Daughters, and the Fantasy of Post-Fascist Bodies -- |g III. |t Inscribing the Daughter in the Paternal Narrative. |g 4. |t Post-Fascist Body/Post-Fascist Voice: Christa Wolf's Moskauer Novelle and Der geteilte Himmel. |g 5. |t The Paternal Family Narrative as Autobiography and as Parable: Christa Wolf's Kindheitsmuster and Kassandra. |t History as Trauma. |
| 520 | |a Post-Fascist Fantasies examines the cultural function of the novels of Communist authors in East Germany from a psychoanalytic angle. Various critics have argued that these socialist realist fictions were monolithic attempts to translate Communist dogma into the realm of aesthetics. Julia Hell argues to the contrary that they were in fact complex fictions sharing the theme of antifascism, the founding discourse of the German Democratic Republic. Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. | ||
| 520 | 8 | |a She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period. | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a Fascism and literature |z Germany (East) | |
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