Documentary time : film and phenomenology /
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas.
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| Online Access: |
Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Minneapolis :
University of Minnesota Press,
2008
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| Series: | Visible evidence ;
v. 21. |
| Subjects: | |
| Local Note: | ProQuest Ebook Central |
Table of Contents:
- Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z.
