Alfred Hitchcock : the legacy of Victorianism /
This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films -- Shadow of a Doubt, Rear Window, Vertigo, Psycho -- as well as some of his more uneven ones -- Rope, The Wrong Man, Topa...
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Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lexington :
The University Press of Kentucky,
2015
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Cohen, Paula Marantz, |d 1953- |1 https://id.oclc.org/worldcat/entity/E39PBJd3M6TgQhKVDHvdf7YXVC | |
| 245 | 1 | 0 | |a Alfred Hitchcock : |b the legacy of Victorianism / |c Paula Marantz Cohen. |
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| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction; 1 The Rise of Narrative Film; 2 Novel into Film: Sabotage; 3 Psychoanalysis versus Surrealism: Spellbound; 4 The Father-Daughter Plot: Shadow of a Doubt, Stage Fright, Strangers on a Train; 5 Digression: Rope, I Confess; 6 The Daughter's Effect: Rear Window, The Man Who Knew Too Much; 7 Transition: The Wrong Man, Vertigo; 8 The Emergence of Mother: Psycho; 9 Beyond the Family Nexus: Topaz, Frenzy, Family Plot; 10 After Hitchcock; Notes; Index. | |
| 520 | |a This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films -- Shadow of a Doubt, Rear Window, Vertigo, Psycho -- as well as some of his more uneven ones -- Rope, The Wrong Man, Topaz -- and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leadi. | ||
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| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Influence. |
| 650 | 0 | |a Thrillers (Television programs) |x History and criticism. | |
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