Critical Vices : the Myths of Postmodern Theory.
In these essays, Nicholas Zurbrugg charts the developments in late 20th-century multimedia art. He challenges accounts of postmodern techno-culture, and interweaves literary and cultural theory and visual studies to demonstrate the neutering of mass-media culture and the exceptions to it.
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Hoboken :
Routledge,
2000
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| Local Note: | ProQuest Ebook Central |
Table of Contents:
- Book Cover; Half-Title; Title; Copyright; contents; introduction to the series; acknowledgments; 0 one or two final thoughts (a retrospective preface); 1 marinetti, boccioni and electroacoustic poetry futurism and after; 2 the limits of intertextuality barthes, burroughs, gysin, culler; 3 postmodernity, métaphore manquée, and the myth of the trans-avant-garde; 4 baudrillard's amérique and the "abyss of modernity"; 5 jameson's complaint video art and the intertextual "time-wall"; 6 postmodernism and the multimedia sensibility heiner müller's hamletmachine and the art of robert wilson.
