The color pynk : black femme art for survival /
"This book is a series of examinations of Black queer cis and transfeminity, a personal and loving homage to "Black femmes poetics of survival during the Trump era and beyond." Tinsley examines contemporary Black femme cultural production: the music of Kelsey Lu and Janelle Monáe; the...
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Full text (MCPHS users only) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin :
University of Texas Press,
2022
|
| Edition: | First edition. |
| Subjects: | |
| Local Note: | ProQuest Ebook Central |
MARC
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| 100 | 1 | |a Tinsley, Omise'eke Natasha, |d 1971- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJkD3v8dtQfCfq6Bvc9VYP | |
| 245 | 1 | 4 | |a The color pynk : |b black femme art for survival / |c Omise'eke Natasha Tinsley. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2022. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Prologue. For Alice Walker -- Introduction. Femme-inist is to feminist as PYNK is to pink -- Part One. Pussy power and nonbinary vaginas -- Janelle Monáe : fem futures, pynk pants, and pussy power -- Indya Moore : nonbinary wild vagina dresses & biologically femme penises -- Part Two. Hymns for crazy black femmes -- Kelsey Lu : braids, twists, and the shapes of black femme depression -- Tourmaline : head scarves and freedom dreams -- Part Three. Black femme environmentalism for the futa -- (F)empower : swimwear, wade-ins, and trashy ecofeminism -- Juliana Huxtable : black witch-cunt lipstick and kinky vegan femme-inism -- Conclusion. Where is the black in black femme freedom? -- Epilogue. For my child -- Afterword by Candice Lyons : pynk parlance, a glossary. | |
| 520 | |a "This book is a series of examinations of Black queer cis and transfeminity, a personal and loving homage to "Black femmes poetics of survival during the Trump era and beyond." Tinsley examines contemporary Black femme cultural production: the music of Kelsey Lu and Janelle Monáe; the visual work of Juliana Huxtable; Janet Mock's writing/directing of the TV show Pose, and the creations of Tourmaline; the fashion of Indya Moore; and (F)empower. She is interested in Black femme representations in film, popular music, television, graphic novels, and poetry to conceptualize Black femme as figuration: that is, as a set of consciously, continually rescripted cultural and aesthetic practices that disrupt conventional meanings of race, gender, and sexuality"-- |c Provided by publisher. | ||
| 588 | 0 | |a Vendor-supplied metadata. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Lu, Kelsey. |
| 600 | 1 | 0 | |a Monáe, Janelle. |
| 600 | 1 | 0 | |a Huxtable, Juliana, |d 1987- |
| 600 | 1 | 0 | |a Mock, Janet, |d 1983- |
| 600 | 0 | 0 | |a Tourmaline. |
| 600 | 1 | 0 | |a Moore, Indya. |
| 650 | 0 | |a Feminist aesthetics. | |
| 650 | 0 | |a Feminism and the arts. | |
| 650 | 0 | |a Womanism. | |
| 650 | 0 | |a African American sexual minorities. | |
| 650 | 0 | |a African American feminists. | |
| 650 | 7 | |a African American LGBTQ+ people |2 homoit |0 https://homosaurus.org/v3/homoit0000015 | |
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