Music, Movies, Meanings, and Markets : Cinemajazzamatazz. by Holbrook, Morris

Table of Contents: “…Part III: The Plot Thickens: Cinemusical Meanings in the Crime-Plus-Jazz GenreIntroduction to Part III; 4 Pete Kelly's Blues (1955); 5 The Cotton Club (1984); 6 Kansas City (1996); Part IV: Jazz, Films, and Macromarketing Themes: Art versus Commerce in the Young Man-with-a-Horn Genre; Introduction to Part IV; 7 Young Man with a Horn (1950); 8 Paris Blues (1961); 9 Mo' Better Blues (1990); Part V: Ambi-Diegetic, Nondiegetic, and Diegetic Cinemusical Meanings in Motion Pictures: Commerce, Art, and Brando Loyalty ... or ... …”
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