Showing 1 - 3 results of 3 for search '"Shakespeare Wallah"', query time: 0.08s Refine Results
  1. 1

    Shakespeare, The Movie : Popularizing The Plays On Film, Tv And Video. by Boose, Lynda E.

    Published 1997
    Table of Contents: “…; 2 RACE-ING OTHELLO, RE-ENGENDERING WHITE-OUT; 3 WAR IS MUD; 4 "TOP OF THE WORLD, MA"; 5 POPULARIZING SHAKESPEARE; 6 SHAKESPEARE WALLAH AND COLONIAL SPECULARITY; 7 POETRY IN MOTION; 8 WHEN PETER MET ORSON; 9 IN SEARCH OF NOTHING; 10 A SHREW FOR THE TIMES; 11 SHAKESPEARE IN THE AGE OF POST-MECHANICAL REPRODUCTION; 12 GROSSLY GAPING VIEWERS AND JONATHAN MILLER'S OTHELLO; 13 AGE CANNOT WITHER HIM; 14 ASTA NIELSEN AND THE MYSTERY OF HAMLET; 15 THE FAMILY TREE MOTEL.…”
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  2. 2

    Performing Shakespeare in India : exploring Indianness, literatures and cultures

    Published 2016
    Table of Contents: “…Introduction -- "To confine the illimitable": visual and verbal narratives in two Bengali retellings of Shakespeare -- Urban histories and vernacular Shakespeares in Bengal: Kolkatar Hamlet, Hemlat and Hamlet 2011 -- Shakespeare and the Re/vision of Indian heritage in the postcolonial British context -- Indian Shakespeare in the world Shakespeare festival -- The Othello-figure in three Indian films: Kaliyattam, Omkara, and Saptapadi -- Shakespeareana to Shakespeare Wallah: Selling or doing Shakespeare in India -- Mapping Shakespearean translations in Indian literatures -- "Murmuring Your Praise": Shakespearean echoes in early Bengali drama -- A future without Shakespeare -- Does Shakespeare's text even matter? …”
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  3. 3

    Small-screen Shakespeare by Cochran, Peter, 1944-

    Published 2013
    Table of Contents: “…Tim blake nelson, 2001)king of texas (uli edel, 2002); shakespeare retold; she's the man (andy fickman, 2006); part four: films with shakespearean references; introduction; men are not gods (walter reisch, 1936); to be or not to be (ernst lubitsch, 1942; and alan johnson, 1983); les enfants du paradis (marcel carné, 1945); a double life (george cukor, 1947); paris nous appartient (jacques rivette, 1961); shakespeare-wallah (james ivory, 1965); the deadly affair (sidney lumet, 1966); theatre of blood (douglas hickox, 1973); the goodbye girl (herbert ross, 1977); mephisto (istván szabó, 1981).…”
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