Public privates : feminist geographies of mediated spaces by England, Marcia R.

Table of Contents: “…Cover; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; 1. Welcome to the Hellmouth; 2. Home Is Where the Heart Is; 3. …”
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Buffy, Ballads, and Bad Guys Who Sing : Music in the Worlds of Joss Whedon. by Leonard, Kendra Preston

Table of Contents: “…FOREWORD: Music in the Key of Whedon; ACKNOWLEDGMENTS; NOTES ON ABBREVIATIONS AND USAGE; INTRODUCTION; CHAPTER ONE. WELCOME TO THE HELLMOUTH: Buffy's Music Arc; CHAPTER TWO. THEORIZING TELEVISION MUSIC AS SERIAL ART: Buffy the Vampire Slayer and the Narratology of Thematic Score; CHAPTER THREE. …”
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Fan Phenomena : Buffy the Vampire Slayer. by Stuller, Jennifer K.

Table of Contents: “…Cover; Title; Copyright; Contents; Acknowledgements; Introduction; The Best, Worst, Known, and Not-So-Known, Pop Culture Influences on the Buffyverse; 'Let's Watch a Girl': Whedon, Buffy, and Fans in Action; Ficcers and 'Shippers: A Love Story; Nikki Stafford: Organizing The Great Buffy Rewatch of 2011; Buffyspeak: The Internal and External Impact of Slayer Slang; 'Welcome to the Hellmouth': Harnessing the Power of Fandom in the Classroom; Rhonda Wilcox: The 'Mother' of Buffy Studies; Buffy, Dark Romance and Female Horror Fans; Seeing Green: Willow and Tara Forever; The Art of Buffy Crafts.…”
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