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81
Theorizing colonial cinema : reframing production, circulation, and consumption of film in Asia
Published 2022Table of Contents: “…On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. …”
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82
Manhood in Hollywood from Bush to Bush
1st ed.Published 2009Full text (MCPHS users only)
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83
Handsome heroes & vile villains : men in Disney's feature animation
Published 2015Full text (MCPHS users only)
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84
Handsome heroes & vile villains : men in Disney's feature animation
Published 2015Full text (MCPHS users only)
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85
Farocki/Godard : film as theory
Published 2015Table of Contents: “…Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. …”
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86
Zones of anxiety : movement, Musidora, and the crime serials of Louis Feuillade
Published 2005Full text (MCPHS users only)
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87
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88
Postanalytic and metacontinental : crossing philosophical divides
Published 2010Table of Contents: “…Smith -- Wittgenstein as trans-analytic-continental philosopher / Dale Jacquette -- Disenfranchising film on the analytic-cognitivist turn in film theory / Robert Sinnerbrink -- Part IV. Metaphysics and mathematics -- The possibility of German idealism after analytic philosophy : McDowell, Brandom and beyond / Paul Redding -- On the problem of selection in events for Deleuze and Davidson / James Williams -- Virtual platonisms : Lautman and Gödel / Pierre Cassou-Nogus.…”
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89
World cinemas, transnational perspectives
Published 2010Table of Contents: “…Notes on transnational film theory: decentered subjectivity, decentered capitalism / Kathleen Newman -- On the plurality of cinematic transnationalism / Mette Hjort -- Tracking "global media" in the outposts of globalization / Bhaskar Sarkar -- Time zones and jetlag: the flows and phases of world cinema / Dudley Andrew -- Vector, flow, zone: towards a history of cinematic translation / Nataša Ďurovičová -- Cinema as transnational exchange. …”
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90
Reclaiming the archive : feminism and film history
Published 2010Table of Contents: “…Unmasking the gaze: feminist film theory, history, and film studies / Laura Mulvey -- Les Belles Dames sans merci, femmes fatales, vampires, vamps, and gold diggers: The Transformation and narrative value of aggressive fallen women / Janet Staiger -- "I wanted life to be romantic, and I wanted to be thin" : Girls Growing Up with cinema in the 1930s / Annette Kuhn -- The "true love" of Elizabeth Taylor and Richard Burton / Suzanne Leonard -- "She will never look": film spectatorship, black feminism, and scary subjectivities / Terri Simone Francis -- Rewriting authorship. …”
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91
Japanese Documentary Film : the Meiji Era through Hiroshima.
Published 2003Full text (MCPHS users only)
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92
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Situating the Feminist Gaze and Spectatorship in Postwar Cinema.
Published 2008Full text (MCPHS users only)
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94
Japanese Documentary Film : the Meiji Era through Hiroshima.
Published 2003Full text (MCPHS users only)
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95
Trends in Nollywood : a study of selected genres
Published 2014Full text (MCPHS users only)
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96
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Lessen van Hitchcock, herziene editie : Een inleiding in mediatheorie.
Published 2007Full text (MCPHS users only)
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Feminisms : diversity, difference and multiplicity in contemporary film cultures
Published 2015Full text (MCPHS users only)
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101
Unsettling sights : the fourth world on film
Published 2010Full text (MCPHS users only)
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102
The Time of the City : Politics, Philosophy and Genre.
Published 2010Full text (MCPHS users only)
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103
Movie blockbusters
Published 2003Table of Contents: “…Reflections on the blockbuster experience in Contact (1997) / Peter Krämer -- Blockbusting sound : the case of The fugitive / Gianluca Sergi -- Circulations of taste : Titanic, the Oscars, and the middlebrow / Gillian Roberts -- Sex, controversy, box-office : from blockbuster to bonkbuster / Rebecca Feasey -- Star Wars in fandom, film theory, and the museum : the cultural status of the cult blockbuster / Matt Hills -- The best place to see a film : the blockbuster, the multiplex, and the contexts of consumption / Mark Jancovich and Lucy Faire -- Neither one thing nor the other : blockbusters at film festivals / Julian Stringer -- "What's big about the big film?" …”
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104
Weimar thought : a contested legacy
Published 2013Table of Contents: “…Gordon -- Method, moment, and crisis in Weimar science / Cathryn Carson -- Walter Benjamin, Siegfried Kracauer, and Weimar criticism / Michael Jennings -- Writers and politics in the Weimar Republic / Karin Gunnemann -- Aesthetic fundamentalism in Weimar poetry : Stefan George and his circle, 1918-1933 / Martin A. Ruehl -- Weimar film theory / Sabine Hake -- The politics of art and architecture at the Bauhaus, 1919-1933 / John V. …”
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105
Weimar thought : a contested legacy
Published 2013Table of Contents: “…Gordon -- Method, moment, and crisis in Weimar science / Cathryn Carson -- Walter Benjamin, Siegfried Kracauer, and Weimar criticism / Michael Jennings -- Writers and politics in the Weimar Republic / Karin Gunnemann -- Aesthetic fundamentalism in Weimar poetry : Stefan George and his circle, 1918-1933 / Martin A. Ruehl -- Weimar film theory / Sabine Hake -- The politics of art and architecture at the Bauhaus, 1919-1933 / John V. …”
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106
Global neorealism : the transnational history of a film style
Published 2011Table of Contents: “…Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920s 1950s: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? …”
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107
The shattering of the self : violence, subjectivity, and early modern texts
Published 2002Full text (MCPHS users only)
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The shattering of the self : violence, subjectivity, and early modern texts
Published 2002Full text (MCPHS users only)
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Hyper-narrative interactive cinema : problems and solutions
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111
The aesthetics and politics of cinematic pedestrianism : walking in films
Published 2022Full text (MCPHS users only)
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112
The French road movie : space, mobility, identity
Published 2013Full text (MCPHS users only)
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113
Multimodal metaphor
Published 2009Table of Contents: “…Zbikowski -- The role of non-verbal sound and music in multimodal metaphor / Charles Forceville -- Multimodal metaphor in classical film theory from the 1920s to the 1950s / Mats Rohdin -- Multimodal expressions of the human victim is animal metaphor in horror films / Gunnar Theodór Eggertsson and Charles Forceville.…”
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114
Framing the environmental humanities
Published 2018Table of Contents: “…Ours -- Cognitivist film theory and the bioculturalist turn in eco-film studies / David Ingram -- Framing the alien, teaching District 9 / Roman Bartosch -- The nature study idea : framing nature for children in early twentieth century schools / Dorothy Kass -- Matter, meaning, and the classroom : a case-study / Isabel Hoving -- Postscript : framing the environmental humanities / Hannes Bergthaller and Peter Mortensen.…”
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115
Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis
Published 2009Table of Contents: “…Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'.…”
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116
The past's threshold : essays on photography
Published 2014Full text (MCPHS users only)
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117
Special affects : cinema, animation and the translation of consumer culture
Published 2014Full text (MCPHS users only)
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Screening the male : exploring masculinities in Hollywood cinema
Published 1993Full text (MCPHS users only)
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120
Time Travel : the Popular Philosophy of Narrative.
Published 2012Full text (MCPHS users only)
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